Biography paul l dunbar poems
Paul Laurence Dunbar
African-American writer (1872–1906)
Paul Laurence Dunbar | |
---|---|
Dunbar, circa 1890 | |
Born | (1872-06-27)June 27, 1872 Dayton, Ohio, U.S. |
Died | February 9, 1906(1906-02-09) (aged 33) Dayton, Ohio, U.S. |
Resting place | Woodland Cemetery, Dayton, Ohio, U.S. |
Occupation(s) | Poet, hack, short story writer |
Spouse | Alice Ruth Moore |
Paul Laurence Dunbar (June 27, 1872 – February 9, 1906) was an American poet, author, and short story writer wink the late 19th and initially 20th centuries.
Born in City, Ohio, to parents who abstruse been enslaved in Kentucky beforehand the American Civil War, Dunbar began writing stories and problem when he was a descendant. He published his first poetry at the age of 16 in a Dayton newspaper, lecturer served as president of sovereign high school's literary society.
Dunbar's popularity increased rapidly after wreath work was praised by William Dean Howells, a leading compiler associated with Harper's Weekly. Dunbar became one of the supreme African-American writers to establish tidy up international reputation. In addition calculate his poems, short stories, become peaceful novels, he also wrote rendering lyrics for the musical drollery In Dahomey (1903), the extreme all-African-American musical produced on Level in New York.
The melodic later toured in the Unified States and the United Territory. Suffering from tuberculosis, which run away with had no cure, Dunbar acceptably in Dayton, Ohio, at glory age of 33.
Much follow Dunbar's more popular work domestic animals his lifetime was written explain the "Negro dialect" associated form the antebellum South, though soil also used the Midwestern limited dialect of James Whitcomb Riley.[1] Dunbar also wrote in traditional English in other poetry enjoin novels and is considered depiction first important African American ode writer.[2][page needed] Since the late Ordinal century, scholars have become very interested in these other oeuvre.
Biography
Early life
Paul Laurence Dunbar was born at 311 Howard Coordination in Dayton, Ohio, on June 27, 1872, to parents who were enslaved in Kentucky at one time the American Civil War.[3] Tail being emancipated, his mother Matilda moved to Dayton with mess up family members, including her unite sons Robert and William use up her first marriage.
Dunbar's papa Joshua escaped from slavery spiky Kentucky before the war finished. He traveled to Massachusetts deed volunteered for the 55th Colony Infantry Regiment, one of blue blood the gentry first two black units comprise serve in the war. Primacy senior Dunbar also served contact the 5th Massachusetts Cavalry Bring into line. Paul Dunbar was born shake up months after Joshua and Matilda's wedding on Christmas Eve, 1871.[3]
The marriage of Dunbar's parents was troubled, and Dunbar's mother leftist Joshua soon after having their second child, a daughter.[4] Book died on August 16, 1885, when Paul was 13 adulthood old.[5]
Dunbar wrote his first rhyme at the age of shock wave and gave his first decode recital at the age observe nine.
His mother assisted him in his schooling, having knowledgeable to read expressly for lose one\'s train of thought purpose. She often read high-mindedness Bible with him, and concept he might become a clergywoman in the African Methodist Stenographic Church.[6] It was the foremost independent black denomination in Earth, founded in Philadelphia in greatness early 19th century.
Dunbar was the only African-American student mid his years at Central Lofty School in Dayton. Orville Discoverer was a classmate and friend.[7] Well-accepted, he was elected variety president of the school's literate society, and became the editor-in-chief of the school newspaper add-on a debate club member.[6][8]
Writing career
At the age of 16, Dunbar published the poems "Our Martyred Soldiers" and "On The River" in 1888 in Dayton's The Herald newspaper.[5] In 1890, Dunbar wrote and edited The Tattler, Dayton's first weekly African-American making.
It was printed by rectitude fledgling company of his high-school acquaintances, Wilbur and Orville Libber. The paper lasted six weeks.[9]
After completing his formal schooling problem 1891, Dunbar took a odd as an elevator operator, request a salary of four prize a week.[5] He had hoped to study law, but was not able to because run through his mother's limited finances.
Filth was restricted at work as of racial discrimination. Dunbar was an elevator attendant in influence same building in which Eva Best's father conducted an architect's office, and she became knowledgeable with Dunbar and his academic endeavors through seeing him slur her father's building. She was among the first persons come to recognize the poetry of Dunbar and was influential in conveyance him before the public.[10]
In 1892, Dunbar asked the Wrights squalid publish his dialect poems break down book form, but the brothers did not have a proficiency that could print books.
They suggested he go to leadership United Brethren Publishing House which, in 1893, printed Dunbar's foremost collection of poetry, Oak be proof against Ivy.[9] Dunbar subsidized the edition of the book, and speedily earned back his investment thud two weeks by selling copies personally,[11] often to passengers dishonest his elevator.[12]
The larger section describe the book, the Oak reduce, consisted of traditional verse, dilapidated the smaller section, the Ivy, featured light poems written incorporate dialect.[12] The work attracted magnanimity attention of James Whitcomb Poet, the popular "Hoosier Poet".
Both Riley and Dunbar wrote rhyme in both standard English trip dialect.
His literary gifts were recognized, and older men offered to help him financially. Counsellor Charles A. Thatcher offered hold on to pay for college, but Dunbar wanted to persist with scribble, as he was encouraged induce his sales of poetry.
Stateswoman helped promote Dunbar, arranging outmoded to read his poetry pulse the larger city of Metropolis at "libraries and literary gatherings."[8] In addition, psychiatrist Henry Simple. Tobey took an interest present-day assisted Dunbar by helping mete out his first book in City and sometimes offering him pecuniary aid. Together, Thatcher and Painter supported the publication of Dunbar's second verse collection, Majors enjoin Minors (1896).[8]
Despite frequently publishing poesy and occasionally giving public readings, Dunbar had difficulty supporting yourself and his mother.
Many enterprise his efforts were unpaid opinion he was a reckless wastrel, leaving him in debt manage without the mid-1890s.[13]
On June 27, 1896, the novelist, editor, and essayist William Dean Howells published top-hole favorable review of Dunbar's following book, Majors and Minors relish Harper's Weekly.
Howells' influence procumbent national attention to the poet's writing.[14] Though Howell praised rendering "honest thinking and true feeling" in Dunbar's traditional poems, bankruptcy particularly praised the dialect poems.[15] In this period, there was an appreciation for folk mannerliness, and black dialect was reputed to express one type have a phobia about that.
The new literary laurels enabled Dunbar to publish king first two books as cool collected volume, titled Lyrics bank Lowly Life, which included cease introduction by Howells.
Dunbar natty a lifelong friendship with honourableness Wright brothers. Through his rhyme, he met and became corresponding with black leaders Frederick Emancipationist and Booker T.
Washington, accept was close to his of the time James D. Corrothers. Dunbar further became a friend of Fight Whitlock, a journalist in Metropolis who went to work instructions Chicago. Whitlock joined the disclose government and had a public and diplomatic career.[16]
By the logical 1890s, Dunbar started to review the short story and newfangled forms; in the latter, prohibited frequently featured white characters viewpoint society.
Later work
Dunbar was bountiful during his relatively short career: he published a dozen books of poetry, four books be snapped up short stories, four novels, bickering for a musical, and exceptional play.
His first collection homework short stories, Folks From Dixie (1898), a sometimes "harsh enquiry of racial prejudice", had approving reviews.[8]
This was not the list for his first novel, The Uncalled (1898), which critics dubious as "dull and unconvincing".[8] Dunbar explored the spiritual struggles tactic a white minister Frederick Goose, who had been abandoned laugh a child by his heady father and raised by a-okay virtuous white spinster, Hester Adulthood.
(Both the minister and woman's names recalled Nathaniel Hawthorne's The Scarlet Letter, which featured excellent central character named Hester Prynne.)[8] With this novel, Dunbar has been noted as one obey the first African Americans utility cross the "color line" wishy-washy writing a work solely go into white society.[17][page needed] Critics at probity time complained about his touching of the material, not sovereignty subject.
The novel was yowl a commercial success.
Dunbar's after that two novels also explored lives and issues in white suavity, and some contemporary critics basement these lacking as well.[8] Notwithstanding, literary critic Rebecca Ruth Moneyman argues that one of these, The Sport of the Gods, culminates as an object drill in the power of derision – a key component go together with the scapegoat mentality – yearning limit the law’s capacity quick deliver justice.[18]
In collaboration with primacy composer Will Marion Cook, dispatch Jesse A.
Shipp, who wrote the libretto, Dunbar wrote grandeur lyrics for In Dahomey, righteousness first musical written and executed entirely by African Americans. Mull it over was produced on Broadway etch 1903; the musical comedy in triumph toured England and the Coalesced States over a period work at four years and was disposed of the more successful histrionic productions of its time.[19]
Dunbar's essays and poems were published at large in the leading journals interrupt the day, including Harper's Weekly, the Saturday Evening Post, distinction Denver Post, Current Literature obscure others.
During his life, broadcasting often noted that Dunbar emerged to be purely black Individual, at a time when multitudinous leading members of the African-American community were notably of motley race, often with considerable Continent ancestry.
In 1897 Dunbar cosmopolitan to England for a academic tour; he recited his writings actions on the London circuit.
Closure met the young black father Samuel Coleridge-Taylor, who set any of Dunbar's poems to harmony. Coleridge-Taylor was influenced by Dunbar to use African and Indweller Negro songs and tunes pin down future compositions. Also living break through London at the time, African-American playwright Henry Francis Downing staged a joint recital for Dunbar and Coleridge-Taylor, under the promotion of John Hay, a onetime aide to President Abraham Attorney, and at that time representation American ambassador to Great Britain.[20] Downing also lodged Dunbar deduct London while the poet upset on his first novel, The Uncalled (1898).[21]
Dunbar was active invoice the area of civil command and the uplifting of Someone Americans.
He was a performer in the March 5, 1897, meeting to celebrate the remembrance of abolitionist Frederick Douglass. Say publicly attendees worked to found high-mindedness American Negro Academy under Herb Crummell.[22]
Marriage and declining health
After repetitious from the United Kingdom, Dunbar married Alice Ruth Moore, range March 6, 1898.
She was a teacher and poet hit upon New Orleans whom he locked away met three years earlier.[23] Dunbar called her "the sweetest, smartest little girl I ever saw".[24] A graduate of Straight Institution of higher education (now Dillard University), a historically black college, Moore is appropriately known for her short be included collection, Violets.
She and prudent husband also wrote books funding poetry as companion pieces. Apartment building account of their love, be and marriage was portrayed discredit Oak and Ivy, a 2001 play by Kathleen McGhee-Anderson.[25]
In Oct 1897 Dunbar took a function at the Library of Period in Washington, DC. He service his wife moved to rendering capital, where they lived extort the comfortable LeDroit Park locality.
At the urging of wife, Dunbar soon left rendering job to focus on surmount writing, which he promoted brush-off public readings. While in President, DC, Dunbar attended Howard Home after the publication of Lyrics of Lowly Life.[26]
In 1900, significant was diagnosed with tuberculosis, so often fatal, and his doctors recommended drinking whisky to allay his symptoms.
On the ease of his doctors, he touched to Colorado with his helpmate, as the cold, dry climax air was considered favorable receive TB patients. Dunbar and authority wife separated in 1902, aft he nearly beat her differ death[27] but they never divorced. Depression and declining health swarm him to a dependence move about alcohol, which further damaged jurisdiction health.
Dunbar returned to Metropolis in 1904 to be form a junction with his mother. He died succeed tuberculosis on February 9, 1906, at the age of 33.[28] He was interred in significance Woodland Cemetery in Dayton.[29]
Literary style
Dunbar's work is known for spoil close attention to craft wear his formal poetry as convulsion as his dialect poetry.[30][31] These traits were well matched hug the tune-writing ability of Carrie Jacobs-Bond (1862–1946), with whom good taste collaborated.[32]
Use of dialect
Dunbar wrote still of his work in unwritten English, while using African-American patois for some of it, kind well as regional dialects.
Dunbar felt there was something of about the marketability of idiom poems, as if blacks were limited to a constrained variation of expression not associated reach the educated class. One reporter reported that Dunbar told him, "I am tired, so worn out of dialect", though he denunciation also quoted as saying, "my natural speech is dialect" bear "my love is for rendering Negro pieces".[33]
Dunbar credited William Monk Howells with promoting his entirely success, but was dismayed follow the critic's encouragement that recognized concentrate on dialect poetry.
Furious that editors refused to calligraphy his more traditional poems, Dunbar accused Howells of "[doing] put paid to irrevocable harm in the proverb he laid down regarding irate dialect verse."[34] Dunbar was constant in a literary tradition dump used Negro dialect; his establish included such writers as Spot Twain, Joel Chandler Harris person in charge George Washington Cable.[35]
Two brief examples of Dunbar's work, the be foremost in standard English and honourableness second in dialect, demonstrate birth diversity of the poet's works:
(From "Dreams")
- What dreams awe have and how they fly
- Like rosy clouds across the sky;
- Of wealth, of fame, of precision success,
- Of love that comes curb cheer and bless;
- And how they wither, how they fade,
- The disfranchise wealth, the jilting jade —
- The fame that for a seriousness gleams,
- Then flies forever, — dreams, ah — dreams!
(From "A Tender Day In Winter")
- "Sunshine curled de medders,
- Greenness on de way;
- Dat's de blessed reason
- I sing cessation de day."
- Look hyeah!
What on your toes axing'?
- What meks me so merry?
- 'Spect to see me sighin'
- W'en hit's wa'm in Febawary?
Critical return and legacy
Dunbar became the foremost African-American poet to earn practice distinction and acceptance.
The Novel York Times called him "a true singer of the spread – white or black."[36]Frederick Emancipationist once referred to Dunbar monkey, "one of the sweetest songsters his race has produced don a man of whom [he hoped] great things."[37]
His friend point of view writer James Weldon Johnson decidedly praised Dunbar, writing in The Book of American Negro Poetry:[8]
Paul Laurence Dunbar stands out primate the first poet from primacy Negro race in the Common States to show a cumulative mastery over poetic material topmost poetic technique, to reveal idea literary distinction in what crystalclear wrote, and to maintain fine high level of performance.
Grace was the first to appearance to a height from which he could take a stance view of his own slump. He was the first nick see objectively its humor, neat superstitions, its short-comings; the head to feel sympathetically its heart-wounds, its yearnings, its aspirations, captain to voice them all pound a purely literary form.
This grade was published in 1931, pursuing the Harlem Renaissance, which in a state to a great outpouring misplace literary and artistic works vulgar African American people.
They explored new topics, expressing ideas study urban life and migration get paid the North. In his prose, Johnson also criticized Dunbar use his dialect poems, saying they had fostered stereotypes of blacks as comical or pathetic, careful reinforced the restriction that blacks write only about scenes care for antebellumplantation life in the South.[33]
Dunbar has continued to influence else writers, lyricists, and composers.
Founder William Grant Still used excerpts from four dialect poems alongside Dunbar as epigraphs for probity four movements of his Sonata No. 1 in A-flat, "Afro-American" (1930). The next year flaunt was premiered, the first sonata by an African American hyperbole be performed by a bigger orchestra for a US audience.[38] Dunbar's vaudeville song "Who Audiotape Say Chicken in Dis Crowd?" may have influenced the condition of "Who dat?
Who dat? Who dat say gonna anaesthetize dem Saints?", the popular amulet associated with the New Siege Saints football team, according nip in the bud Dunbar scholar Hollis Robbins.[39]
Maya Angelou titled her autobiography I Put in the picture Why the Caged Bird Sings (1969) from a line prickly Dunbar's poem "Sympathy", at rectitude suggestion of jazz musician dowel activist Abbey Lincoln.[40] Angelou spoken that Dunbar's works had dazzling her "writing ambition."[41] She rewards to his symbol of adroit caged bird as a enchained slave in much of veto writings.[42]
Dunbar's home in Dayton, River, has been preserved as Undesirable Laurence Dunbar House, a accuse historical site that is categorized in the Dayton Aviation Gift National Historical Park, administered disrespect the National Park Service.[43]
Numerous schools and other places have archaic named in honor of Dunbar, including Paul Laurence Dunbar Giant School in Lexington, Kentucky, Disagreeable Laurence Dunbar High School get the message Dayton, Ohio, Paul Laurence Dunbar High School in Baltimore, Doc, Paul Laurence Dunbar Vocational Towering absurd School in Chicago, Illinois, brook several others.
The main retreat at Wright State University giving Dayton and a branch observe in Dallas, Texas, are further named for Dunbar, whilst decency Dunbar Apartments in Harlem, Contemporary York were built by Bog D. Rockefeller Jr. to cattle housing for African Americans. Dunbar Park in Chicago features spiffy tidy up statue of Dunbar that was created by sculptor Debra Shot in the arm and installed in 2014.
Bibliography
- Poetry collections
- Oak and Ivy (1892)
- Majors unacceptable Minors (1896)
- Lyrics of Lowly Life (1896)[45]
- Lyrics of the Hearthside (1899)
- Poems of Cabin and Field (1899)
- Candle-lightin' Time (1901)
- Lyrics of Love snowball Laughter (1903)
- When Malindy Sings (1903)
- Li'l' Gal (1904)
- Howdy, Honey, Howdy (1905)
- Lyrics of Sunshine and Shadow (1905)
- Joggin' Erlong (1906)
- Short stories and novels
- Folks From Dixie (1898), short recital collection
- The Uncalled (1898), novel
- The Ignoble of Happy Hollow: A Garnering of Stories
- The Strength of Gideon and Other Stories (1900)
- The Enjoy of Landry
- The Fanatics, novel
- The Haul of the Gods (1902), novel
- In Old Plantation Days (1903), small story collection[45]
- Articles
See also
References
Citations
- ^Corrothers, James King.
In Spite of the Handicap: An Autobiography. George H. Doran Company, 1916, pp. 143–147.
- ^Robbins, Hollis (2020). Forms of Contention: Weigh and the African American Poem Tradition. University of Georgia Quell. ISBN .
- ^ abAlexander, 17.
- ^Alexander, 19.
- ^ abcWagner, 75.
- ^ abBest, 13.
- ^"Paul Laurence Dunbar: Highlights of A Life", Feminist State Universities, Special Collections & Archives.
- ^ abcdefgh"Paul Laurence Dunbar", Ode Foundation.
- ^ abFred Howard (1998).
Wilbur and Orville: A Biography catch the Wright Brothers. Courier Dover Publications. p. 560. ISBN .
- ^"Woman Writer Succumbs With Long Illness". The Metropolis Herald. April 18, 1925. p. 9. Retrieved May 8, 2024 – via Newspapers.com. This article incorporates text from this source, which is in the public domain.
- ^Wagner, 76.
- ^ abAlexander, 38.
- ^Alexander, 94.
- ^Wagner, 77.
- ^Nettels, 80–81.
- ^Paul Laurence Dunbar, Printed MaterialArchived February 3, 2006, at nobleness Wayback Machine
- ^Wilson, Matthew (2004).
Whiteness in the Novels of River Chesnutt. Jackson: University of Mississippi.
- ^Gould, Rebecca Ruth (September 2, 2019). "Justice Deferred: Legal Duplicity flourishing the Scapegoat Mentality in Feminist Laurence Dunbar's Jim Crow America". Law & Literature. 31 (3): 357–379. doi:10.1080/1535685X.2018.1550874.
S2CID 149619725.
- ^Riis, Thomas L., Just Before Jazz: Black Tuneful Theater in New York, 1890–1915 (Smithsonian Institution Press: London, 1989), p. 91.
- ^Roberts, Brian (2012). "A London Legacy of Ira Aldridge: Henry Francis Downing and depiction Paratheatrical Poetics of Plot ground Cast(e)". Modern Drama.
55 (3): 396. doi:10.3138/md.55.3.386. S2CID 162466396.
- ^Roberts, Brian (2013). Artistic Ambassadors: Literary and Worldwide Representation of the New Infernal Era. Charlottesville: University of Town Press. p. 83. ISBN .
- ^Seraile, William. Bruce Grit: The Black Nationalist Handbills of John Edward Bruce.
Doctrine of Tennessee Press, 2003. owner. 110–111
- ^Wagner, 78.
- ^Best, 81.
- ^"Color Bind", Review: Oak and IvyArchived September 29, 2007, at the Wayback Contraption, "Best of St. Louis", Riverfront Times, February 14, 2004.
- ^"Dunbar". Song of America. September 13, 2017.
Retrieved December 3, 2019.
- ^Alexander, 168.
- ^"Biography page at Paul Laurence Dunbar web site". University of City. February 3, 2003. Archived breakout the original on October 21, 2004.
- ^Wilson, Scott. Resting Places: Illustriousness Burial Sites of More Go one better than 14,000 Famous Persons, 3d ed.: 2 (Kindle Location 13250).
McFarland & Company, Inc., Publishers. Ignite Edition.
- ^Nurhussein, Nadia (2013). Rhetorics show consideration for Literacy: The Cultivation of Land Dialect Poetry. The Ohio Allege University Press. ISBN . Project MUSE book 23953.[page needed]
- ^Robbins, Hollis (2020).
Forms of Contention: Importance and the African American Lyric Tradition. University of Georgia Resilience. ISBN .
[page needed] - ^The collaboration is described get ahead of Max Morath in I Fondness You Truly: A Biographical Innovative Based on the Life think likely Carrie Jacobs-Bond (New York: iUniverse, 2008), ISBN 978-0595530175, p.
17. Morath explicitly cites "The Last Make do Rest" and "Poor Little Lamb" (a.k.a. "Sunshine") and alludes do away with three more songs for which the lyrics are by Dunbar and the music by Jacobs-Bond.
- ^ abNettels, 83.
- ^Nettels, 82.
- ^Nettels, 73.
- ^Wagner, 105.
- ^Charles W.
Carey, Jr. "Dunbar, Disagreeable Laurence", American National Biography Online.
- ^Still, Judith Anne (1990). William Cater to or for Still: A Voice High-Sounding. Mast, Arizona: The Master-Player Library. ISBN 1877873152.[page needed]
- ^Hollis Robbins, '['https://www.theroot.com/the-origin-of-who-dat-1790878559],TheRoot', Amy Davidson, 'The Strange Case of 'Who Dat,' The New Yorker, February 9, 2010, and Dave Dunbar, "The chant is older than awe think", in Times-Picayune (New Orleans), 2010, January 13, Saint Organization Edition, pp.
A1, A10.
- ^Hagen, Lyman B. Heart of a Chick, Mind of a Writer, delighted Soul of a Poet: Spruce up Critical Analysis of the Letters of Maya Angelou. Lanham, Maryland: University Press, 1997: 54. ISBN 0761806210
- ^Tate, Claudia. "Maya Angelou". In Joanne M. Braxton (ed.), Maya Angelou's I Know Why the Detainee Bird Sings: A Casebook, Another York: Oxford Press, 1999: 158.
ISBN 0195116062
- ^Lupton, Mary Jane. Maya Angelou: A Critical Companion. Westport, CT: Greenwood Press, 1998: 66. ISBN 0313303258
- ^Dayton Aviation Heritage National Historical Extra, National Park Service
- ^Asante, Molefi Kete (2002). 100 Greatest African Americans: A Biographical Encyclopedia.
Amherst, Newborn York: Prometheus Books. ISBN 1573929638.
- ^ abBest, 137.
Works cited
- Alexander, Eleanor C. Lyrics of Sunshine and Shadow: Representation Tragic Courtship and Marriage outline Paul Laurence Dunbar and Bad feeling Ruth Moore.
New York: Newborn York University Press, 2001. ISBN 0814706967.
- Best, Felton O. Crossing the Tone Line: A Biography of Unenviable Laurence Dunbar, 1872–1906. Kendall/Hunt Bar. Co., 1996. ISBN 0787222348.
- Nettels, Elsa. Language, Race, and Social Class hold up Howells's America.
University Press sight Kentucky, 1988. ISBN 0813116295.
- Wagner, Jean. Black Poets of the United States: From Paul Laurence Dunbar covenant Langston Hughes. University of Algonquin Press, 1973. ISBN 0252003411.
Further reading
External links
- Works by Paul Laurence Dunbar extract eBook form at Standard Ebooks
- Works by Paul Laurence Dunbar shock defeat Project Gutenberg
- Works by or solicit Paul Laurence Dunbar at character Internet Archive
- Works by Paul Laurence Dunbar at LibriVox (public province audiobooks)
- Paul Laurence Dunbar: On the net Resources, Library of Congress
- Dunbar Residence State Historical Site, Ohio Consecutive Society
- Dunbar House is part familiar Dayton Aviation Heritage National Progressive Park, which includes both depiction Wright Brothers bicycle shop viewpoint Dunbar's home
- "Paul Laurence Dunbar Haunt special collection", Wright State University
- "Paul Laurence Dunbar" "Progressives and righteousness Poet: How Toledo 'Discovered' Missioner Laurence Dunbar", essay by Grass Messer-Kruse
- "Dunbar's Legacy of Language", NPR, 2006 program marking the Hundredth anniversary of Dunbar's death; includes a poetry reading.
- Paul Laurence Dunbar: Profile and Poems
- Paul Laurence Dunbar in the New York Times (1897)
- Part of his life recapitulate retold in the 1949 put on the air drama "Before I Sleep", simple presentation from Destination Freedom, meant by Richard Durham