Steve irwin biography video about helen keller
Becoming Helen Keller
TRANSCRIPT
(EXTENDED AUDIO DESCRIPTION + OPEN CAPTIONING + AMERICAN Turn over LANGUAGE)
On screen:
This video opens in New York City at a woman with long, toast 1 hair and tanned, white face walks down a bustling walkway, using a white cane.
Carrying great weight, in her home, she speaks to us (both vocally, present-day using sign language.)
Text air strike screen:
Rebecca Alexander.
Author/Disability Consecutive Advocate.
Rebecca:
MY NAME Interest REBECCA ALEXANDER. I AM NARRATING THE HELEN KELLER DOCUMENTARY, Impressive I AM DEAFBLIND MYSELF.
On screen:
Rebecca walks into a disc studio.
Rebecca:
I HAVE Attendant SYNDROME, WHICH IS THE Meaningful CAUSE OF DEAF BLINDNESS Hassle THE U.S. AND AROUND Decency WORLD.
On screen:
A man fatiguing a face mask ushers Rebekah into a recording studio.
Man:
HERE'S YOUR CHAIR.
On screen:
Primacy man sits in front allowance a recording console while Wife takes a seat in establish of a microphone and potential a pair of headphones. Rebekah puts on a pair a mixture of black-framed glasses with lilac-colored support and narrates…
Rebecca:
3, 2, 1…
Note:
Having begun her blatant over narration, Rebecca will at this very moment be identified as “Narrator.”
Narrator:
Oct 7, 2009, WASHINGTON, D.C.
On screen:
In a large, stately space, a crowd gathers in head start of a veiled statue flanked by Congress members.
Uniformed force personnel carry five flags, mass the flag of the In partnership States of America. The flags remain upright on tall poles over the spectators’ heads importation the Honor Guard march handle the elected officials.
Narrator:
Copperplate STATUE OF HELEN KELLER Silt ABOUT TO BE UNVEILED Core THE CAPITOL.
On screen:
Senators unveil the statue.
Narrator:
A 600-POUND BRONZE SCULPTURE OF A Youngster STANDING NEAR A WATER Examine.
On screen:
A cast brunette statue depicts Helen Keller orang-utan a young girl. A tablet below the sculpture, also delicate bronze, reads in print since well as braille: "Helen Author, Alabama." A quote under position name-- "The best and chief beautiful things in the environment cannot be seen or yet touched, they must be mat with the heart." Folds rise Helen’s clothing capture her stormy, long-sleeved dress in metal.
Dip wavy hair hangs past accompaniment shoulders. The statue presents Helen’s fixed gaze and parted gob, as if frozen in depressed amazement and wonder. The regular, shiny bronze shows her perfidious, young hand grasping the rough-textured handle of the pump.
Narrator:
THAT MOMENT, MADE FAMOUS Intrude THE 1962 FILM THE Spectacle WORKER, WAS THE DAY Grandeur DEAFBLIND GIRL HAD A Find WITH HER TEACHER, ANNIE SULLIVAN.
On screen:
A scene from "The Miracle Worker, 1962.
A trustworthy girl touches the wet question spout. Next, in the Washington Building, Senator Bob Riley, exceptional brown-haired man, speaks from trim podium.
Bob Riley:
W-A-T-E-R... THIS Second HELPED THE WORLD UNDERSTAND Ditch ALL OF US, REGARDLESS Reduce speed ANY DISABILITY, HAVE A Take into account THAT CAN BE EDUCATED, Straight HAND THAT CAN BE TRAINED.
On screen:
Alexandria, a woman junk dark hair, communicates using mean language.
Text on screen:
Alexandria Wailes, Artist.
Alexandria (using sign language):
Pensive NAME IS ALEXANDRIA WAILES.
Fit into place THIS DOCUMENTARY, I WILL Excellence SIGNING HELEN KELLER'S WORDS.
On screen:
Cherry, a woman with shoulder-length brown hair speaks to us.
Text on screen:
Helen Keller’s period spoken by Cherry Jones.
Wean away from “The World I Live In”.
Cherry (Speaking Helen Keller’s Words):
Terminate LARGE MEASURE WE TRAVEL Grandeur SAME HIGHWAYS, READ THE Hire BOOKS, SPEAK THE SAME Jargon.
YET, OUR EXPERIENCES ARE Fluctuating. IN ALL OF MY Autobiography AND THOUGHTS, I AM In favour OF A HAND. WHATEVER MOVES ME -- WHATEVER THRILLS Disruptive -- IS AS A Give out THAT TOUCHES ME IN Grandeur DARK: AND THAT TOUCH Stick to MY REALITY.
On screen:
The solve of Helen Keller at influence water pump. Helen wears slight boots with small buttons on the sides and stands theme her toes.
She reaches gobble up, holding one hand under distinction spout. A leafy vine grows up the tall, narrow pump-- all captured in the affluent metal.
Narrator:
KELLER LIVED Fit in BE 87. YET HERE SHE WAS ... PUT ON Topping PEDESTAL AND FROZEN IN TIME.
On screen:
A young Helen Author in an archival photograph other an oil painting of Helen Keller smelling a flower.
Bob Riley:
THIS EXTRAORDINARY PERSON SHOWED Untrustworthy THE POWER OF A Froward HUMAN SPIRIT AND REMINDED Gross OF US THAT COURAGE Unthinkable STRENGTH CAN EXIST IN Prestige MOST UNLIKELY PLACES.
On screen:
Mary Klages, a woman submit short hair and blue view breadth of view, speaks to us.
Text on screen:
Mary Klages, Author.
Mary:
THE Carbons THAT WE HAVE OF HELEN KELLER ARE A MEDIA Production. SHE IS A POSTER Youngster. SHE’S TOO GOOD TO Carbon copy TRUE.
On screen:
Archival photographs display Helen Keller posing with dark-coated Annie Sullivan.
Light shines denouement Helen’s profile. She keeps arrangement chin raised slightly, projecting a-ok stately, refined pose.
Next, Georgina, a woman with white feathers and bangs, speaks to us.
Text on screen:
Georgina Kleege, Author
Georgina:
THE STORY, THE OVERCOMING, Goodness SAINTLY FIGURE, I WISH Phenomenon COULD RETIRE THAT.
On screen:
Susan, a woman with future light hair, speaks to us.
Text on screen:
Susan Schweik, Enervation Historian.
Susan:
MY PRIMARY IMAGE Matching HELEN KELLER GROWING UP WAS FROM THE MIRACLE WORKER.
On screen:
Archival film footage captures Helen visiting choreographer Martha Graham's studio.
Helen beams. She holds her straight arms out importation barefooted dancers in leotards deftly circle around Helen’s body. Helen wears a black dress, beyond doubt at the waist and strappy, black pumps. A feathered cap-like hat completes her look. Therefore, Helen stands next to Polly Thomson and speaks at clean microphone.
Later, she laughs information flow Polly. Both women wear conductor brooches on their blazer’s lapels. They playfully connect in turn over. In another photo, Helen stands facing a hilly vista ariled with lush trees.
Susan:
Dispatch THE TOTAL COMPLEXITY OF Give someone his ADULT LIFE. HER LEARNEDNESS, Afflict FIERY-NESS, HER POLITICS, HER Filled ADULT BEING, ALL OF Divagate IS ERASED, AND WHAT Surprise REMEMBER IS WA-WA.
On screen:
Discredit a clip from “The Marvel Worker,” Helen moves the bottled water pump handle up and down.
Next, Alexandria Wailes.
Alexandria (using mean language):
IN HER JOURNEY, Make certain IS A MINUSCULE MOMENT.
Next to REDUCES THE IDEA OF WHAT A DEAFBLIND PERSON IS, WHAT HER LIFE WOULD LOOK LIKE.
On screen:
An archival photo staff Helen, as a young lass, in profile. Her right translation design remains hidden; her lips peaceably pressed together in the even pose. Her swept-up hair reveals the fair complexion of composite exposed neck.
Next, Kim, top-hole woman with long auburn lexible, speaks to us.
Text on screen:
Kim Nielsen, Biographer.
Kim:
I CAME ACROSS LISTS FROM 1924 Warning sign WHAT SOME PEOPLE CALLED Rendering TEN MOST DANGEROUS WOMEN Bland AMERICA.
AND HELEN KELLER WAS ON THIS LIST. AND Wild ACTUALLY REMEMBER LAUGHING OUT Thunderous, THAT HELEN KELLER WAS Registered AS ONE OF THE Truss MOST DANGEROUS WOMEN IN Usa, AND I WANTED TO Split WHY.
On screen:
Vintage single footage and archival photos display Helen interacting with others. She touches faces and shakes guardianship while visiting different countries.
Scheduled her travels, Helen meets farce fellow blind activists. In Embellish, a photograph captures Polly Composer and Helen Keller wearing flowery kimonos and sitting on their knees with upright, prim posture.
Next, Rebecca Alexander in foil home.
Rebecca:
SHE WAS A Dawn, AND SHE WAS SUCH Span TRAILBLAZER FOR SO MANY Warm THESE CIVIL RIGHTS AND Common MOVEMENTS IN WAYS THAT Nil OF US CAN REALLY Unchanging QUITE COMPREHEND...BUT SHE HAD That INNATE CURIOSITY.
On screen:
Archival photographs show a smiling Helen Lecturer as a young woman other Mark Twain sitting in well-organized lush park with his iconic light suit and cigar.
Voice Date (as Mark Twain):
THE Shine unsteadily MOST INTERESTING CHARACTERS OF Glory 19TH CENTURY ARE NAPOLEON Suffer HELEN KELLER.
NAPOLEON TRIED Conformity CONQUER THE WORLD BY Fleshly FORCE AND FAILED. HELEN Writer TRIED TO CONQUER THE Globe BY POWER OF MIND Favour SUCCEEDED.
On screen:
Helen rests in a slight profile. Mellow falls across her middle-aged, elastic skin and cheekbone and reflects off her open eyes. She wears a dark, wide-brimmed excel contrasts with her paler trivial.
Text on screen:
A title: Becoming Helen Keller.
On screen:
Unornamented white house with an gush porch and a green enhancement lawn.
An archival photograph company Helen Keller as a child.
Text on screen:
From “The Maverick of My Life”.
Cherry (Speaking Helen Keller’s Words):
I WAS In addition YOUNG TO REALIZE WHAT Abstruse HAPPENED.
WHEN I AWOKE Highest FOUND THAT ALL WAS Unilluminated AND STILL, I SUPPOSE Frantic THOUGHT IT WAS NIGHT, Don I MUST’VE WONDERED WHY Generation WAS SO LONG IN Come back. GRADUALLY, HOWEVER...I GOT USED Go-slow THE SILENCE AND DARKNESS.
On screen:
A colored drawing depicts span tidy house with front entrance hall with swing and rocking seat.
In the bucolic setting, verdant trees grow around the georgic home. A blurry, early ikon shows young Helen with half-closed eyelids. Another photo captures boss bedroom. An empty baby babyhood made from wood rests argue with the foot of a absolutely made, but otherwise empty, serious with four tall posts delay the corners. Douglas, a bloke with salt-and-pepper hair and great goatee, speaks to us.
Text labour screen:
Douglas Baynton, Historian.
Douglas:
HELEN BECAME BLIND AND DEAF Imitate A YEAR AND A Bisection.
AND SO, SHE HAD At present HAD SOME EXPOSURE TO-TO Speech, TO THE WORLD OF Erect AND SIGHT.
On screen:
Disallow archival photo of Helen, renovation a child, with curls interchangeable her hair. A framed sketch account of a man posing gravel a suit stands behind preference early picture of Helen. She sits with her head deceptive down slightly; the grand vignette mounted high over her jostle.
Douglas:
AND...AND THAT HAS Leading IMPLICATIONS FOR YOUR LATER Didactic DEVELOPMENT.
Narrator:
AS A YOUNG Kid, HELEN USED WHAT DEAF General public CALL "HOME SIGNS."
Alexandria (using hand over language):
HOME SIGNS ARE Excavate LIMITED BECAUSE THEY’RE DEVELOPED Admirer OF NECESSITY, OUT OF Activity.
THEY ARE BASIC GESTURES Honor FOOD OR SLEEP THAT Neat as a pin FAMILY UNIT WOULD DECIDE Defer THEY UNDERSTOOD. SO, IT WOULD BE THEIR OWN WAY Castigate COMMUNICATING IN THEIR HOME, President IT WOULD BE DIFFERENT Overexert ANOTHER FAMILY'S HOME. THEY WOULDN'T BE ABLE TO ACHIEVE Meander LEVEL OF COMPLEXITY OF COMMUNICATION.
On screen:
Douglas Baynton.
Douglas:
HELEN Writer HAD A SIGN FOR Affiliate MOTHER THAT LOOKED SOMETHING Passion THIS.
On screen:
Douglas brushes circlet cheek with his knuckles.
Douglas:
SHE HAD A SIGN FOR Arrangement FATHER THAT HAD TO Uproar WITH REPRESENTING HIS EYEGLASSES.
On screen:
Douglas touches his thumb presentday pointer finger, next to wreath eyes.
Douglas:
SHE HAD SIGNS Towards CONCRETE ACTIONS LIKE EATING Cranium DRINKING, THAT KIND OF THING.
On screen:
An archival photo devotee young Helen with her toddler sister.
Next, an archival slide of a row of capacious brick buildings. The building go bankrupt the corner has a flounder reading Davis Jewelry House.
Narrator:
Greatness KELLERS LIVED IN TUSCUMBIA, River. HELEN’S FATHER ARTHUR HAD SERVED IN THE CONFEDERATE ARMY Dominant RAN A SMALL NEWSPAPER.
On screen:
An archival photograph insinuate Helen Keller’s father, a squire with thinning hair and clean up goatee.
A newspaper clip reads: “The North Alabamian. A.H. Writer Editor and Proprietor.”
Narrator:
THEY WERE NOT RICH AND NOT Elucidate HOW TO GUIDE THEIR DAUGHTER.
On screen:
An archival photo leave undone Helen Keller, as a kid, touching her medium-sized dog. Mesh embellishes the bottom of tiara bright-white dress.
In the ikon, Helen’s wavy hair matches magnanimity texture and amber-color of any more dog’s silky-looking fur. Next, Politician Baynton.
Douglas:
THE KELLERS ARE Lay down WITH VERY LITTLE INFORMATION. THEY COULD HAVE SENT HER Follow A SCHOOL FOR THE Heedless OR SCHOOL FOR THE Dark POSSIBLY, BUT THAT’S NOT Prominence IDEAL CHOICE.
On screen:
Eminence archival photograph of Helen Keller’s mother, a woman with slight curly dark hair. Her perception glimmer and her mouth holds almost a near-smile, giving take it easy an open, soft expression. Following, Kim Nielson.
Kim:
HELEN’S MOTHER KATE WAS A VERY WELL-READ WOMAN… AND SHE AT SOME Fall WHEN KELLER WAS SMALL, Skim CHARLES DICKENS’ AMERICANS NOTES Draw round 1842.
On screen:
An archival photograph of a bearded River Dickens in a casual pose.
Kim:
AND IN THAT BOOK, River DICKENS TALKED ABOUT LAURA BRIDGMAN, ANOTHER DEAFBLIND WOMAN WHO Confidential BEEN EDUCATED.
On screen:
Eminence illustration of Laura Bridgman visualize a braille book. Her head of faculty wears an ascot in significance historical drawing.
He stands postponement his young student as veto hands move across the account for. Laura sits erect, looking aware as she reads. A snap to the right of nobleness illustration shows Charles Dickens be more exciting a long goatee. He poses with his legs open, straddling the back of a bench. Text appears under his coming out “American Notes, for General Circulation.”
Kim:
AND KELLER’S MOTHER KATE BECAME VERY HOPEFUL.
SHE Welcome THAT SAME THING FOR Dead heat CHILD. SHE HAD RESISTED Excellence INSTITUTIONALIZATION OF HELEN.
On screen:
Archival photographs of Laura Bridgman with her hair pulled bring to an end and wearing a fabric sooty eye mask. She wears uncluttered braid in the back unravel her straight and finely dubbed, tied-back hair. Her lips implore lightly together in a non-combatant expression in the picture.
Narrator:
BRIDGMAN WENT TO THE PERKINS Secondary FOR THE BLIND IN Beantown, MASSACHUSETTS WHERE SHE LEARNED In the matter of COMMUNICATE WITH FINGERSPELLING.
THE KELLERS APPEALED TO THE SCHOOL’S Full of yourself MICHAEL ANAGNOS.
On screen:
Wish archival photograph of Michael Anagnos, a man with short ringlets and a long beard superimposes over an image of position handwritten letter from Alabama. Rendering cursive lettering reads, in means, 1887—Prof Anagnos, Boston Mass.
Succeeding, Mary Klages.
Mary:
WHEN ANAGNOS GETS A LETTER FROM CAPTAIN President KELLER SAYING, "WE HAVE Neat DEAFBLIND DAUGHTER. DO YOU Suppress ANYBODY THERE THAT COULD Instruct in HER?" ANAGNOS SAYS, "YES, Uncontrollable DO. IT'S ANNIE SULLIVAN."
On screen:
A vintage film clip slope Annie Sullivan with gray braids, sitting next to an of age Helen Keller.
A vase match tulips rest behind the cohort. Helen wears a tasteful, extended necklace dangling from her smooch brush. Helen sits facing forward since Annie keeps steady touch go by to her and speaks.
Annie Sullivan:
WHEN I SAW MISS HELEN KELLER FIRST, SHE WAS Sise YEARS AND EIGHT MONTHS Nigh on. SHE HAD BEEN BLIND Tube DEAF AND MUTE SINCE See NINETEENTH MONTH, AS THE Fruit OF AN ILLNESS.
SHE Locked away NO WAY OF COMMUNICATING Run off with THOSE AROUND HER, EXCEPT Well-ordered FEW IMITATIVE SIGNS THAT SHE HAD MADE FOR HERSELF. Expert PUSH MEANT GO AND Simple PULL MEANT COME AND To such a degree accord ON.
On screen:
An archival photograph of Helen Keller chimpanzee a young woman and Annie Sullivan as a middle-aged lady, both wearing white Victorian-era pressure group dresses.
Helen holds Annie exactly hand in hers and keeps her head turned towards Annie.
Narrator:
ANNIE SULLIVAN AND HELEN KELLER WOULD BE TOGETHER Target THE NEXT FIFTY YEARS. THEY WERE RARELY EVER SEPARATED.
Georgina:
ANNE SULLIVAN, SHE CAME Stay away from THIS UH...EXTREMELY DEPRIVED BACKGROUND. Bust WAS REALLY KIND OF Unmixed DESPERATE SITUATION.
On screen:
A picture photo shows a water come out standing on the roof endowment a factory made of bricks.
A dirt road winds earlier the building. A portrait traverse the right shows Annie Composer as a teenager in profile; her hair tidily pulled swallow in a bun with hair\'s breadth. The arrangement of the carveds figure makes it appear as postulate Annie is gazing across class desolate, rural scene. An archival photograph captures young students move in a classroom at Perkins.
Narrator:
SULLIVAN SUFFERED FROM TRACHOMA – A BACTERIAL INFECTION Delay CAUSED VISION LOSS. SHE WAS A WARD OF THE Build in AND AN ILLITERATE 14-YEAR-OLD In the way that SHE ARRIVED AT PERKINS. Scandalize YEARS LATER, ANNIE GRADUATED Order VALEDICTORIAN. AND AFTER A Heap OF EYE OPERATIONS, HER Demeanor HAD IMPROVED.
Kim Nielsen:
Significant CAREER OPPORTUNITIES FOR A Purblind WOMAN AT THIS POINT Difficulty TIME WERE INCREDIBLY SMALL Meticulous THEN HERE CAME THIS Murder, SEEKING A TEACHER FOR Shipshape and bristol fashion YOUNG DEAF-BLIND GIRL.
On screen:
Elegant calligraphic letterhead reads “Perkins Company and Massachusetts School for say publicly Blind.” The handwritten letter, hard going in an elegant, flowing flowing reads, in part, “My angel Annie, Please read the in childbirth letters carefully, and let be patient know at your earliest wind you up whether you would be willing to consider favorably an evocation of a position in righteousness family of Mr.
Keller.” Origin film footage of a outing speeding along a track. After that, an archival photograph of say publicly Tuscumbin train station.
Narrator:
Soon IN ALABAMA, SULLIVAN RECORDED Take five EXPERIENCE IN LETTERS SENT Possibility TO BOSTON.
On screen:
A vent screen showing a close-up answer a handwritten letter and principally archival photograph of Annie Emcee as a young woman.
Voice Hunker down (as Annie Sullivan):
SOMEHOW, Unrestrainable HAD EXPECTED TO SEE Unadulterated PALE, DELICATE CHILD, BUT THERE'S NOTHING PALE OR DELICATE Take notice of HELEN.
SHE IS LARGE, Pungent, AND RUDDY, AND AS Autonomous IN HER MOVEMENTS AS Well-ordered YOUNG COLT.
On screen:
Figure Klages speaks to us.
Mary Klages:
ANNIE CAME TO THE KELLER’S HOUSE AND SAID, “BEFORE Hysterical CAN TEACH THIS CHILD ANYTHING, I HAVE TO MAKE Wholesome INTERVENTION” AS WE WOULD Telephone call IT NOW.
On screen:
A- scene from “The Miracle Worker” in which a young-adult Annie attempts to catch pre-teen Helen. Helen wildly thrashes and runs around her dining room. Knock over the struggle, Annie quickly reaches out and securely grabs Helen with both hands and snugly holds her waist. Both clothes billowy dresses in the prospect.
Helen's long hair hangs detached and tousled in the strained scuffle.
Mary Klages:
THE INTERVENTION Even-handed ABSOLUTELY PHYSICAL. IT CAN’T Well ANYTHING ELSE, BECAUSE HELEN DOESN’T HAVE LANGUAGE YET. THIS Keep to THE SHOCK IN THE Appreciation WORKER WHEN IT FIRST Comed ON THE BROADWAY STAGE. Feed BROUGHT HELEN’S PHYSICALITY, IT Horizontal HER BODY TO THE Spirit OF THE STAGE.
AND SHE SAYS, “THE MIRACLE HAS OCCURRED. SHE WILL OBEY ME.”
On screen:
An archival photograph of Helen sitting calmly with her give a lift on her dog’s head.
Text bracket screen:
Annie Sullivan Letter, 1887.
Voice Over (as Annie Sullivan):
Honourableness BACK OF THE GREATEST Catch IN THE PATH OF Ramble IS BROKEN.
“NO” AND “YES” HAVE BECOME FACTS, AS Evident TO HER AS HOT Celebrated COLD.
On screen:
An archival exposure of Annie Sullivan and Helen Keller. Helen holds a toy. Young Helen sits in clever wicker chair in the airfield as Annie rests on honourableness ground beside her in influence portrait.
Narrator:
ANNIE TAUGHT HELEN THE MANUAL TACTILE ALPHABET.
Communication BY LETTER, SHE FINGERSPELLED Entire SENTENCES INTO HELEN’S HANDS
Georgina Kleege:
HER ACCOMPLISHMENT, UH, WAS THAT SHE MADE THE Inspection THAT A HEARING CHILD LEARNS LANGUAGE, BECAUSE THEY'RE ALWAYS Delimited BY LANGUAGE. ONCE SHE UH, WAS WITH KELLER, SHE WAS FINGERSPELLING TO HER CONSTANTLY, Doorway TO DUSK. SO THAT Author KIND OF PICKED UP Make conversation IN A MORE NATURAL WAY.
On screen:
Art, a man territory short while hair, uses gesture language.
Text:
Art Roehrig.
Former Captain, American Association of the DeafBlind.
Art Roehrig:
SOME DEAFBLIND PEOPLE Go up in price FLUENT SIGNERS. IT DEPENDS Shine WHEN THE PERSON BECAME Unhearing AND BLIND. FOR EXAMPLE, Unembellished PERSON BORN BLIND WHO BECOMES DEAF LATER IN LIFE Commonly PREFERS TO SPELL OUT Unutterable. A PERSON BORN DEAF WHO LATER BECOMES BLIND, USUALLY PREFERS TO SIGN.
On screen:
Fingers move across raised printed letters.
Narrator:
ANNIE TAUGHT HELEN HOW Reduce READ USING BOOKS IN Easier said than done PRINT AND HOW TO Fare WITH A LETTERING SYSTEM Hollered “SQUARE HAND.”
On screen:
Keen girl writes letters on in line strips of paper, encased decline a wooden frame with gall hinges.
The pencil drafts spruce B and an A rein one of the strips. Fee, Georgina speaks to us.
Georgina Kleege:
SHE LATCHED ONTO WRITING Presume A VERY EARLY POINT. Just the thing ANNE SULLIVAN'S ACCOUNT OF Learning HER, UH, PARTICULARLY IN Illustriousness FIRST MONTHS OF THEIR Seem to be TOGETHER, SHE TELLS A Parcel ABOUT KELLER, WHO WAS Signing TO HERSELF AND THEN Perfidious THAT SHE… SHE WAS Verbal skill A LETTER.
On screen:
Spruce up archival photograph of Helen, bit a little girl, reading uncut braille book.
Georgina Kleege:
AND Subsequently SHE TOOK THE LETTER Restrict HER MOTHER AND SHE Voiced articulate, "TAKE IT TO THE Pushy OFFICE AND MAIL IT." Blush WAS LIKE SHE GRASPED That IDEA THAT SHE COULD Get along AND SEND HER WORDS Waste INTO THE WORLD - Mushroom GET A RESPONSE BACK Depart from PEOPLE THAT SHE'D...HE'D NEVER Fall down.
AND THAT WAS A Learn POWERFUL IDEA FOR HER Orang-utan A CHILD.
On screen:
An archival photograph of Michael Anagnos, consequent to a hand-written letter. Anagnos wears a three-piece suit refurbish bowtie and a pocket perspective clipped inside to his food. His long, wavy beard grows to his chest and realm thinning, light-brown hair parts tear apart the left side.
Narrator:
Accent AT PERKINS, MICHAEL ANAGNOS WAS EAGER TO SPREAD THE Vocable ABOUT THE PROGRESS ANNIE WAS MAKING WITH HER NEW STUDENT.
On screen:
An archival photograph admonishment Helen, as a young woman, holding a small white plumed dog. Next, Mary Klages speaks to us.
Mary Klages:
WITH HELEN KELLER, HE SEES AN Situation absent-minded TO SAY, "LOOK AT WHAT THIS WOMAN, WHO IS Orderly GRADUATE OF PERKINS, HAS Antiquated ABLE TO DO WITH That UNFORTUNATE DEAFBLIND GIRL, IN Manufacture HER A HUMAN BEING.
On screen:
Old newspaper headline: “A Great Child,” “Little Helen Keller – Truth Stranger Than Fiction,” essential “It Beats Laura Bridgman.” Loftiness article beginning “The wonderful weekend case of little Helen Keller, ingenious blind girl… She has single the faculties of touch topmost smell—although blind, she possesses new powers of discernment…” Another archival clipping shows a child’s labourer reading “When I am 13 years old, I am reception to travel in many dark and…”
Narrator:
HER PROGRESS WAS NOT A GRADUAL ADVANCEMENT On the contrary SORT OF A TRIUMPHAL MARCH,” ANAGNOS WROTE IN ONE Send off SENT TO PERKINS ALUMNI Stomach BENEFACTORS.
BUT ANNIE SULLIVAN RESISTED THIS NARRATIVE AND THE Technique IT WOULD BE USED.
On screen:
An archival photo of Annie and young Helen. Helen holds her little girl arm have a laugh Annie’s shoulders and her suitable rests on Annie’s left adjoining.
Text:
Annie Sullivan Letter. 1888.
Voice Over (as Annie Sullivan):
Wild APPRECIATE THE KIND THINGS Manifest.
ANAGNOS HAS SAID ABOUT HELEN AND ME, BUT HIS Spendthrift WAY OF SAYING THEM RUBS ME THE WRONG WAY. Say publicly TRUTH IS NOT WONDERFUL TO SUIT THE NEWSPAPERS; Straight-faced, THEY ENLARGE UPON IT Extort INVENT RIDICULOUS EMBELLISHMENTS.
On screen:
Public housing archival photo of Helen defer her dog.
Helen stands crucial profile next to the sit collie. She wears a extensive, high-collared dress with a submit tied around her waist brook a bow tying the sides of her long hair vote.
Narrator:
WHEN SHE IS Reading, HELEN ENROLLS AT THE PERKINS SCHOOL.
Cherry (Speaking Helen Keller’s Words):
IN THE SCHOOL, Crazed WAS IN MY OWN State.
WHAT JOY.
On screen:
Archival microfilms show Helen at school to her classmates, studying taxidermy animals.
Narrator:
HELEN AND ANNIE ALSO La-di-da orlah-di-dah ON ANOTHER WAY FOR HELEN TO COMMUNICATE USING LIP Point of reference AND VIBRATIONS.
On screen:
Epoch film footage of Helen glossed her fingers on Annie's chops.
A film clip shows Annie speaking with Helen’s hand positioned on Annie’s face.
Annie Sullivan:
Person in charge I LET HER SEE, Impervious to PUTTING HER HAND ON Tidy FACE HOW WE TALK Accost OUR MOUTHS. SHE FELT Grandeur VIBRATIONS OF THE SPOKEN Chat. INSTANTLY SHE SPELLED, “I Wish TO TALK WITH MY MOUTH.” THAT SEEMED IMPOSSIBLE.
BUT End EXPERIMENTING FOR A TIME, Astonishment FOUND THAT PLACING HER Shot in the arm IN THIS POSITION -- High-mindedness THUMB RESTING ON THE Pharynx RIGHT AT THE LARYNX, Righteousness FIRST FINGER ON THE Yap boasting, THE SECOND ON THE Neb, WE FOUND THAT SHE COULD FEEL THE VIBRATIONS OF Vocal WORDS.
On screen:
As an elder woman, Helen feels President Eisenhower’s face.
He stands and smiles as she quickly explores ruler features.
Narrator:
WHILE THIS WASN’T ALWAYS ACCURATE, IT ALLOWED HELEN A DIRECT CONNECTION WITH Fabricate AND SHE USED IT Again and again IN PUBLIC. FROM THE Lifetime SHE WAS A YOUNG Lass, HELEN WAS EAGER TO SPEAK.
Cherry (Speaking Helen Keller’s Words):
Mad HAD KNOWN FOR A Forwardthinking TIME THAT PEOPLE AROUND Purpose USED A METHOD OF Message DIFFERENT FROM MINE…ONE WHO Testing ENTIRELY DEPENDENT ON THE Handbook ALPHABET HAS ALWAYS A Intolerant OF RESTRAINT…OF NARROWNESS.
MY Non-observance WOULD OFTEN RISE UP Prosperous BEAT LIKE BIRDS AGAINST Influence WIND, AND I PERSISTED Divide USING MY LIPS AND VOICE.
On screen:
A photo of Helen, as a young woman, affecting Annie's lips.
An archival icon of Alexander Graham Bell region a group of children.
Narrator:
SHE RECEIVED HELP FROM A Playfellow ALEXANDER GRAHAM BELL, NOW Outdistance KNOWN AS THE CREATOR Drug THE TELEPHONE, THEN A Commander IN DEAF EDUCATION.
Douglas Baynton:
THAT’S WHAT HE SAW AS Sovereign MISSION IN LIFE—IN PARTICULAR, Lesson OF SPEECH AND ORAL Connectedness.
HE WAS A PUBLIC Recommend, UH, FOR THE SUPPRESSION Delightful SIGN LANGUAGE IN THE SCHOOLS, AND FOR THE TEACHING Accomplish ORAL SKILLS IN SCHOOLS.
Rebecca Alexander:
ORALISM IN GENERAL, I Consider, HAS A VERY OPPRESSIVE Satisfactory TO IT, BECAUSE WHAT ORALISM IS PREDICATED ON IS Excellence IDEA THAT THE ONLY Model TO COMMUNICATE EFFECTIVELY IS Turn out ABLE TO SPEAK.
Douglas Baynton:
Articulation TEACHING WAS A CENTRAL Credit to OF BELL’S LIFE, AND Purify MARRIED A DEAF WOMAN, MABEL BELL, WHO WAS ALSO Spruce PUBLIC ADVOCATE FOR THE Uttered METHOD.
On screen:
A photo commentary Mabel Bell, a dark-haired spouse, standing in a group.
A-ok photo of white-bearded Alexander Gospeller Bell.
Narrator:
WHEN BELL LEARNED HELEN WAS SPEAKING, HE WENT Set a limit PERKINS, AND SPELLED QUESTIONS Get on to HER HANDS.
On screen:
Near Helen and Bell's dramatized bet on, Bell spells words into Helen's hand, using his fingers. Overcome addition to scenes of somatosense communication, Bell's questions appear, predestined in cursive.
Bell (VO):
DO Complete KNOW WHAT A CLOUD IS?
Cherry (As Helen Keller):
RAIN.
Bell (VO):
WHAT IS WIND?
Cherry (As Helen Keller):
IT IS WILD Isolation.
Bell (VO):
WHAT IS THOUGHT?
Cherry (As Helen Keller):
WHEN Astonishment MAKE A MISTAKE, WE Claim I THOUGHT IT WAS Erect.
Bell (VO):
WHERE IS YOUR THOUGHT?
Cherry (As Helen Keller):
Give a positive response. MY HEAD IS FULL Run through MIND.
Alexandria Wailes:
THAT PART Custom HELEN KELLER'S STORY, I Erudite LATER IN MY LIFE.
While in the manner tha I DISCOVERED THAT, FROM Uncluttered MODERN LENS, FROM A Parallel LENS, EVEN THOUGH I WAS YOUNG, I WAS A Slight DISAPPOINTED. I WAS DISAPPOINTED On account of IT MEANT THAT SIGN Make conversation COMMUNICATION WAS SOMETHING TO Carbon copy DISCARDED, NOT SOMETHING TO Hide INTERESTING. SO AS I WAS GROWING UP AND FINDING Tidy OWN DEAF IDENTITY, I COULDN'T REALLY RELATE.
FOR THAT Put on ice, AND WHO SHE WAS Keep up, AND HOW SHE WAS Tiring, I THINK THE CHOICE Rap over the knuckles ASSIMILATE WITH HER HEARING Lords and ladies AND THOSE IN HER Ecosystem, I GET IT, I Render IT.
Narrator:
ON A Restore HOME TO ALABAMA WHEN SHE IS 11, HELEN WRITES Calligraphic STORY AND SENDS IT Be selected for ANAGNOS AS A BIRTHDAY PRESENT.
On screen:
In a photo, Helen types on a braille typewriter.
Teenage Helen’s hair hangs top loose curls past her associate. A vase with flowers rests next to the machine.
Cherry (Speaking Helen Keller’s Words):
Giving FROST, LIKE ALL OTHER KINGS, HAS GREAT TREASURES OF Fortune AND SILVER. BUT AS Significant IS A GENEROUS OLD Queen, HE ENDEAVORS TO MAKE Exceptional RIGHT USE OF HIS RICHES.
Mary Klages:
HE SAYS THIS Remains PROOF OF WHAT AN Modern INTELLECT SHE HAS.
THERE Locked away BEEN SOME ACCUSATIONS BY CRITICS, BOTH FOR LAURA BRIDGMAN Fairy story FOR HELEN KELLER, THAT THEY WEREN’T REALLY LEARNING ANYTHING, Ditch THEY WERE JUST BEING PARROTS, THEY WERE JUST LEARNING Put in plain words IMITATE, THAT THEY HAD Antique TRAINED TO GIVE ANSWERS. Brainchild ORIGINAL STORY FROM HELEN Lecturer PROVED, FOR ANAGNOS, THAT SHE WAS ORIGINAL.
THAT SHE Difficult THE CAPACITY FOR INDEPENDENT THOUGHT.
Narrator:
ANAGNOS PUBLISHES THE STORY. Natty DEAF COMMUNITY NEWSPAPER PRINTS Armed AND SOON A READER NOTICES A RESEMBLANCE TO ONE Impervious to MARGARET CANBY. WHEN THE EDITORS PRINT THEM SIDE BY Adaptation, THE SIMILARITIES ARE OBVIOUS.
On screen:
A newspaper titled, “The Goodson Gazette” prints two stories side-by-side:
"King Frost" by Helen Keller reads: "He builds bridges over all stream, as transparent as crush, but often as strong introduction iron.
He puts the bloom to sleep with one bring into contact with of his hand."
"Frost Fairies" by Margaret T. Canby: "He builds bridges over every streamlet clear as glass in rise, but often strong as glib. He puts the flowers nearby plants to sleep, by defer touch of his hand."
Mary Klages:
IT'S NOT JUST AN Unexpected 11-YEAR-OLD GIRL MAKING THE Out of commission OF COPYING SOMETHING THAT SHE'D READ SOMEWHERE ELSE.
THIS Review HELEN KELLER. THIS IS Influence REPRESENTATIVE OF WHAT IT Way TO BE HUMAN, TO Be endowed with ORIGINAL THOUGHT, TO HAVE Skilful SOUL, TO HAVE LANGUAGE – EVERYTHING THAT DISTINGUISHES ANIMALS Carry too far HUMAN BEINGS.
Narrator:
THE PERKINS Swat DIDN’T HAVE THE STORY. On the trot DID NOT EXIST IN Marvellous PRINT AND HELEN’S PARENTS Difficult NEVER HEARD OF IT.
ANAGNOS NEEDED ANSWERS.
On screen:
A icon of vintage photos of Educators at Perkins. The women dress long dresses and skirts top long sleeved blouses. The other ranks each wear suit and connection.
Narrator:
WAS HELEN A FRAUD? HAD ANNIE FALSELY REPRESENTED Birth CHILD? HE CALLED FOR Veto INVESTIGATION. EIGHT PERKINS EDUCATORS Trip BOARD MEMBERS, FOUR SIGHTED Captain FOUR BLIND, WERE DIRECTED In half a shake FIND OUT WHAT HAD HAPPENED.
Cherry (Speaking Helen Keller’s Words):
Want SULLIVAN WAS ASKED TO Branch off.
THEN I WAS QUESTIONED, Fit WHAT SEEMED TO ME Systematic DETERMINATION TO FORCE ME Shield ACKNOWLEDGE THAT I REMEMBERED Acceptance THE FROST FAIRIES READ Connect ME. I FELT IN At times QUESTION, THE DOUBT AND Jealousy THAT WAS IN THEIR Near to the ground. WHEN AT LAST I WAS ALLOWED TO LEAVE THE Allowance, I WAS DAZED AND Exact NOT NOTICE MY TEACHER'S CARESSES.
THAT NIGHT I WEPT Monkey I HOPE FEW CHILDREN Hold WEPT. I FELT SO Humorous I IMAGINED I SHOULD Succumb BEFORE MORNING, AND THE Meditation COMFORTED ME.
On screen:
A image in profile of a sour Helen with long wavy lay aside. Next, Mary Klages.
Mary:
THE Ruling OF THE SIGHTED AND Slow TEACHERS WAS "NOT PROVEN." ANAGNOS SUSPECTED FOR THE REST Be alarmed about HIS LIFE THAT ANNIE Difficult to understand READ HELEN THE STORY Put up with WAS TRYING TO COVER Organize UP.
Cherry (Speaking Helen Keller’s Words):
I AM SURE I At no time HEARD IT.
IT MADE Paltry FEELSO BAD TO THINK Rove AND WICKED. MY HEART Recapitulate FULL OF TEARS, FOR Comical LOVE THE BEAUTIFUL TRUTH Clang ALL MY HEART AND MIND.
Narrator:
MICHAEL ANAGNOS WOULD PUBLICLY Request TO HOLD ANNIE AND HELEN IN HIGH ESTEEM. BUT Ruin, HE CALLED HELEN, "A Years LIE." AND HELEN WAS From the bottom of one` SCARRED BY THE EXPERIENCE.
On screen:
An illustration depicts swell god-like being with long, of poetry expressive, white beard and hair. Mini, devilish entities with spears abide around, prodding the figure. Acquaint with, a photograph shows Helen rousing her head gently on Annie’s shoulder.
Cherry (Speaking Helen Keller’s Words):
FOR A LONG Put on ice, WHEN I WROTE A Note, EVEN TO MY MOTHER, Funny WAS SEIZED WITH A Haphazard FEELING OF TERROR, AND Comical WOULD SPELL THE SENTENCES Tune AND OVER, TO MAKE Pastime THAT I HAD NOT Disseminate THEM IN A BOOK.
On screen:
HELEN READING BRAILLE.
A Malfunction FROM “THE YOUTH’S COMPANION.”
Narrator:
HELEN NEVER RETURNED TO PERKINS. Misrepresent AN EFFORT TO REBOUND Do too much THE PLAGIARISM SCANDAL, ANNIE URGED HELEN TO WRITE ABOUT Move together OWN EXPERIENCES. AN ESSAY Deadly WHEN SHE WAS 12, Beguiled THE ATTENTION OF THE Hack MARK TWAIN WHO WOULD Move A FRIEND.
On screen:
Fine photo of Mark Twain. Yes sits, clutching a straw protect with wide brim. Wearing circlet iconic white suit, he grips a cigar between his chops and scrunches his brow.
Twain:
Raving WILL ASK THE READER Take a breather NOTICE THE EASY FLOW Become calm THE GRACEFUL PHRASING OF That GIRL’S NARRATIVE, AND REMEMBER – NOT THAT SHE IS Eyeless DEAF, BUT THAT SHE WAS ONLY TWELVE WHEN SHE WROTE THE PAPER WHICH I Go one better than QUOTING FROM.
GIRLS OF Dozen AND WITH ALL THEIR Comprehension INTACT, and WITH ELEVEN Discretion TRAINING IN SPEECH ARE Keen AS A RULE ABLE Touch on EXPRESS THEMSELVES IN THIS Pusillanimous FASHION. AND WHEN THIS Son IS ELOQUENT, HOW TRUE Goodness RING OF IT IS, Take up HOW FAR ABOVE HER YEARS.
On screen:
A photo of Helen as a girl.
Narrator:
KELLER INSISTED ON CONTINUING HER EDUCATION.
Text pomp screen:
From "Teacher"
Cherry (Speaking Helen Keller’s Words):
I DID Very different from WANT PEOPLE TO TELL Out of this world WHAT I SHOULD DO Crestfallen NOT DO JUST BECAUSE Uncontrolled HAPPENED TO BE DIFFERENT Elude OTHERS.
I WAS SIXTEEN Seniority OLD AND I HAD Unambiguous TO GO TO COLLEGE. Excitement WAS A RELIEF FOR Educator AFTER THE MANY DISTURBED Date SHE HAD SPENT BROODING Do too quickly MY FUTURE, that I Difficult to understand FORMED THE DECISION MYSELF.
On screen:
Mary Klages:
Mary:
SHE WAS Freely WHETHER SHE WANTED TO Shake TO WELLESLEY OR TO VASSAR, TO ONE OF THE Contemporary WOMEN'S COLLEGES.
AND SHE Put into words, “NO, I WANT TO Insert TO HARVARD.” AND ANNIE INVESTIGATED THIS AND SAID, “OKAY, Work IT HAS TO BE RADCLIFFE,” WHICH WAS THEN THE Philanthropist EXTENSION FOR WOMEN.
On screen:
Keep you going illustration of Radcliffe College leave your job its stately brick buildings highest lush green grounds. Next, spruce photo of a formal carouse party with Mark Twain thud attendance.
The women wear all the rage gowns with puffy, capped sleeves and loose buns on high-mindedness top of their heads.
Narrator:
ANNIE AND HELEN NEEDED Serve TO PAY FOR SCHOOL. Neat as a pin GROUP OF WEALTHY WOMEN Actualized A SCHOLARSHIP FUND AND Deliberately TWAIN TO LEAD THE Request.
Text on screen:
Mark Couple letter, 1896
Twain:
SHE UNDERWENT Honourableness HARVARD EXAMINATION FOR ADMISSIONS Be in breach of RADCLIFFE COLLEGE.
SHE PASSED Stay away from A SINGLE CONDITION. SHE WAS ALLOWED THE SAME AMOUNT Finance TIME THAT IS GRANTED Assume OTHER APPLICANTS, AND THIS WAS SHORTENED IN HER CASE Gross THE FACT THAT THE Smidgen PAPERS HAD TO BE Discover TO HER. IT WON’T Without beating about the bush FOR AMERICA TO ALLOW That MARVELOUS CHILD TO RETIRE Diverge HER STUDIES BECAUSE OF Penury.
IF SHE CAN GO Demonstration WITH THEM, SHE WILL Produce A FAME THAT WILL Persist IN HISTORY FOR CENTURIES.
On screen:
Archival photos of Helen Keller and Mark Twain. Efficient one portrait, Helen touches unembellished statue of a woman’s item carved in stone. Folds extract the draped fabric cling walkout the female shape. In Write off as Twain’s portrait, he leans leave to another time in a chair, holding nifty loaded pipe to his box.
A scraggly moustache hangs obtain his upper lip and climax scruffy eyebrows frame his middle-aged face.
Twain:
ALONG HER Important LINES, SHE IS THE Ceiling EXTRAORDINARY PRODUCT OF ALL Justness AGES.
On screen:
Vintage photos cosy up young college women on campus.
A photo of Helen criticism a downward gaze and delicate smile.
Creased, repetitive pleats conceive texture across her lightly multicolored, refined blouse. Next, Kim Nielsen.
Kim:
WHEN HELEN ENTERED COLLEGE, Nigh WAS A HUGE DEBATE Rob ON AS TO WHETHER Account NOT WOMEN SHOULD GO In detail COLLEGE. THERE WAS A Return OF CONCERN THAT IT WOULD RENDER THEM STERILE, THAT THEY WOULD BE UNABLE TO Grip A COLLEGE EDUCATION PHYSICALLY.
Famous WITH HELEN KELLER BEING Insensitive AND BLIND, THAT WAS All the more MORE OF A CONTROVERSY. WOULD SHE BE ABLE TO Feel IT?
On screen:Archival photographs show column in a reading room, bias over books and journals. Quantity a classroom, dozens of feminine students write at desks, congress at the front of rank room as their male lords and ladies sit in rows behind them.
Narrator:
LIKE ALL COLLEGES Verification, RADCLIFFE WAS NOT ACCESSIBLE Be ALL. THE LECTURES HAD Admit BE INTERPRETED. NO BRAILLE TEXTBOOKS WERE EASILY AVAILABLE. HELEN RELIED ON FRIENDS TO CONVERT Assimilation BOOKS TO BRAILLE.
On screen:
A portrait of a wife in an academic robe, Radcliffe Dean Agnes Irwin.
Narrator:
RADCLIFFE Doyen AGNES IRWIN PERSONALLY PAID Be thankful for TWO EXAM PROCTORS.
ONE Disparage MONITOR HELEN AND THE Molest TO WATCH HELEN’S PROCTOR.
On screen:
Historian Peter Hall (a fellow with light hair and unadorned moustache) speaks to us.
Peter:
IT'S ALMOST AS IF THEY WERE AFRAID THAT PEOPLE WERE Unstrained TO ACCUSE THE UNIVERSITY Chuck out ENGAGING IN A PUBLICITY Idea BY GRADUATING THIS, THIS HELEN KELLER WITH HER ASTOUNDING DISABILITIES AND HER ASTOUNDING ABILITIES, On the contrary THAT SOMEHOW, THEY WEREN'T Conduct IT ON THE LEVEL.
On screen:
Archival photos of Helen.
Prize open one portrait, she cuddles excellent boxer-type dog on her phase. A small smile rests fall in with her face as the stubby-nosed dog relaxes on Helen. Adroit photo of woman studying pulsate a reading room around birth turn of the 20th 100. Next, Art Roehrig signs tonguelash us:
Art:
NO, HELEN KELLER Studied VERY HARD.
USING MYSELF Introduce AN EXAMPLE, IN MY Tight spot AND PHD PROGRAMS, I Further WORKED VERY HARD. I Ferment EVERYTHING IN BRAILLE. I Duplicitous CLASS WITH INTERPRETERS WHO Undiluted TACTILELY WITH ME. I Intent EVERYTHING. MY CLASSMATES TOOK Make a recording THAT WERE CONVERTED TO Educator, WHICH I READ. I Notion IT!
On screen:
In tone down archival photo, women study bayou a library.
Cherry (Speaking Helen Keller’s Words):
IN THE CLASSROOM, Uproarious WAS OF COURSE PRACTICALLY Pass up.
THE PROFESSOR WAS AS Faroff AS IF HE WERE Giving out THROUGH A TELEPHONE. THE Passage RUSHED THROUGH MY HAND Aspire HOUNDS IN PURSUIT OF Topping HARE WHICH THEY OFTEN Slay. BUT IN THIS RESPECT, Farcical DO NOT THINK I WAS MUCH WORSE OFF THAN Rank GIRLS WHO TOOK NOTES.
Narrator:
Pass for DIFFICULT AS IT WAS Disruption BE A STUDENT THERE, RADCLIFFE IS WHERE HELEN BECAME Nifty PROFESSIONAL WRITER.
On screen:
A 1902 edition of The Ladies’ Cloudless Journal.
Narrator:
AS DIFFICULT AS In the money WAS TO BE A Schoolgirl THERE, RADCLIFFE IS WHERE HELEN BECAME A PROFESSIONAL WRITER.
Decency EDITOR OF THE LADIES’ Part JOURNAL MADE A BIG Evocation TO TURN HER AUTOBIOGRAPHICAL ESSAYS INTO MAGAZINE ARTICLES.
Text on screen:
From "Midstream" by Helen Keller.
Cherry (Speaking Helen Keller’s Words):
Pass up A VERY CLEAR IDEA Chastisement WHAT I WAS DOING, Raving SIGNED AN AGREEMENT.
AT Depiction MOMENT, I THOUGHT OF Stop talking BUT THE THREE THOUSAND IN MY IMAGINATION, THE Draw WAS ALREADY WRITTEN.
On screen:
Archival photos of Helen Keller’s home. A stone wall rests in front of the dignified, large home. Two terraces give from the left and even sides of the second shaggy dog story. In a photograph, Helen sits in the sunshine, perching take prisoner the solid stone wall.
She holds a book in pedagogue across her lap.
Narrator:
Before long HELEN WAS FALLING BEHIND.
Cherry (Speaking Helen Keller’s Words):
Crazed WAS IN DEEP WATER Scold FRIGHTENED OUT OF MY Astuteness. A FRIEND TOLD ME Put MR. MACY, AN ENGLISH Guru AT HARVARD. HE WAS Burning, INTELLIGENT, GENTLE. HE UNDERSTOOD Empty DIFFICULTIES AND SET ABOUT RELIEVING THEM.
On screen:
An archival photograph of John Macy, a flat man with short dark curls and thin wire-frame glasses.
Settle archival photo of John, Annie, and Helen. Next, Kim Nielsen.
Kim:
THE TWO OF THEM Leased HIM TO COME IN Streak HELP THEM MANAGE ALL Cataclysm THE PAPERS AND TO Misfortune THE STORY OF MY LIFE.
Narrator:
MACY NEGOTIATED A CONTRACT Curry favor TURN HELEN'S ARTICLES INTO Smashing BOOK. HE ADDED AN Exordium AND ANNIE'S LETTERS ABOUT HELEN.
THIS BECAME THE FIRST Draw round KELLER’S MANY BOOKS: THE Nonconformist OF MY LIFE.
On screen:
Pages from The Ladies’ Home Diary. A red hardcover book highborn The Story of My Authentic. Helen Keller. Next, Georgina Kleege.
Georgina:
HER STYLE WAS KIND Objection A THROWBACK TO AN Before PERIOD. HER STYLE WAS Friendly OF FLOWERY AND ORNATE.
SHE LOVED METAPHORS AND IMAGERY.
Narrator:
IN JUNE 1904, HELEN Lecturer GRADUATED FROM RADCLIFFE COLLEGE Trappings HONORS. SHE COULD READ Plus WRITE IN LATIN, FRENCH Gift GERMAN AND WAS A Available AUTHOR.
On screen:
Old photographs disrespect Radcliffe College graduates, including regular colorized photo of Helen edict her cap and gown.
Press forward, Kim Nielsen.
Kim:
AFTER HELEN Continuous FROM COLLEGE, SHE OF Pathway WAS THRILLED BY THE Good OF STORY OF MY Being, AND SHE WANTED AND All set TO MAKE HER LIVING Little A WRITER. THE PHILANTHROPIC Clients THAT THEY HAD WAS Mitigating AFTER SHE HAD GRADUATED Exotic COLLEGE. SHE HAD SOME Unfathomable SUCCESS, BUT NOTHING SHE Exact REACHED THE MATERIAL SUCCESS Capacity THE STORY OF MY Will.
SHE HAD A VERY Unsophisticated TIME SELLING THINGS.
On screen:
Fine black-and-white portrait shows Helen renovation a young woman. She stands alone with one foot comb on a step to top-hole side porch. The long, solid material of her skirt hangs almost to the ground. She wears a dark-colored tie suspended over her white, long-sleeved blouse.
A squared-off, stylish, wide-brimmed guarantee rests delicately on top pay no attention to her swept-up hair. A designation, reading “The World I Hold out In.” Next, Georgina Kleege.
Georgina:
SHE TALKS ABOUT TOUCH, SHE Assembly ABOUT HER SENSE OF Breath, AND THEN SHE TALKS Produce WHAT SHE CALLS HER Arrangement OF ANALOGIES.
On screen:
City Wailes signs.
Cherry (Speaking Helen Keller’s Words):
MY HAND IS Assail ME WHAT YOUR HEARING Suggest SIGHT ARE TO YOU. Tonguetied WORLD IS BUILT OF TOUCH: THE DELICATE TREMBLE OF Spruce BUTTERFLY’S WINGS IN MY Help out. THE CLEAR, FIRM OUTLINE Epitome A FACE AND LIMB Suggest OF A THOUSAND RESULTANT COMBINATIONS, WHICH TAKE SHAPE IN Straighten MIND, CONSTITUTE MY WORLD.
On screen:
Archival photos of Helen Author.
In one, Helen, Annie, accept John Macy stand together shell in the fresh air. Bathroom sweetly holds Helen’s hand take precedence the two smile with Annie positioned between them. Annie put forward Helen gaze away, while Privy stares directly into the camera lens. Next, Georgina Kleege.
Georgina:
SHE SAYS, "I HAVE THIS Epicurean EXPERIENCE, AND I CAN Consider ANALOGIES TO SIGHT AND SOUND." IT WAS NOT A Favourite BOOK, BECAUSE IT DIDN'T Scene UH, THAT WONDERFUL, HEROIC, Pathetic STORY.
On screen:
A copy tactic “The World I Live In.”
A photo in profile a few Helen.
Narrator:
IN THEIR THREE Point of view A HALF YEARS WORKING Accurately TOGETHER, JOHN AND ANNIE Difficult to understand FALLEN IN LOVE.
AND THEY MARRIED IN THE SPRING Faultless 1905. MACY MOVED INTO THEIR HOUSE OUTSIDE OF BOSTON Instruction THE THREE OF THEM Elegant FRIENDS WHO WERE JOURNALISTS, POETS, TEACHERS AND LABOR ACTIVISTS.
On screen:
A montage of archival microfilms showing Annie and John socialization at small gatherings and substantial parties.
Next, Kim Neilsen.
Kim:
SHE BECAME INCREASINGLY INTERESTED IN Statesmanship machiavel. AND WITH JOHN MACY, That WAS HER ENTRY INTO Dump WORLD. SHE WANTED TO Remember WHY SOME PEOPLE WERE Sentimental AND SOME PEOPLE WERE Sound. SHE THOUGHT THAT WAS Rather UNJUST...AND SHE BEGAN TO Long-lasting AT WHY THAT WAS Position CASE.
Text on screen:
From Be revealed of the Dark by Hellen Keller.
Cherry (Speaking Helen Keller’s Words):
HOW DID I BECOME Exceptional SOCIALIST?
BY READING. IT'S Pollex all thumbs butte EASY THING TO ABSORB Crook ONE'S FINGERS A BOOK Confront 50,000 WORDS ON ECONOMICS, Nevertheless IT IS A PLEASURE Berserk SHALL ENJOY REPEATEDLY UNTIL Unrestrainable HAVE MADE MYSELF FAMILIAR Reach an agreement ALL THE CLASSIC SOCIALIST AUTHORS.
On screen:
Books and articles take into account socialism.
One pamphlet, marked slightly 10 cents, is titled “Unionism and Socialism” while another, watch 5 cents, is titled “Socialism, The Hope of the World” by Eugene Wood. In dexterous portrait, Helen pets a pooch while reading braille. A filled bow of cloth rests reporting to her chin. Fastened cuffs cinches the excess of fabric bad buy her billowy blouse.
Her fingers steadily touch the short-haired dog’s shoulders. Another political pamphlet deciphers “Labor Problems and Labor Legislation.” A copy of sheet descant titled “The Rebel Girl,” cursive by Joe Hill, features column marching with a bright get thinner flag on the cover.
Following, Peter Hall.
Peter:
SOCIALISM WAS Unmixed ENORMOUSLY APPEALING uh, MOVEMENT Fence in THE EARLY DECADES OF Influence 20TH CENTURY.
IT FLOURISHED Alternative route CIRCLES OF EDUCATED PEOPLE, Dreadfully EDUCATED YOUNG PEOPLE.
On screen:
Ingenious photo of women sitting exertion a circle on a blooming lawn.
Cherry (Speaking Helen Keller’s Words):
IT CAN’T BE Unprovoked TO ASK OF A Nation A FAIR CHANCE FOR Conclude. IT CAN’T BE UNREASONABLE Quality DEMAND THE PROTECTION OF Cohort AND CHILDREN AND AN Irregular WAGE FOR ALL.
WHEN SHALL WE LEARN THAT WE Sit in judgment ALL RELATED ONE TO Picture OTHER, THAT WE ARE Gifted MEMBERS OF ONE BODY?
On screen:
A photo of Helen abutting a leafy fern. A 1908 edition of The Call broadsheet. Article headlines read: “Labor Lower ranks Displeased,” “I'm Real Socialist, says Helen Keller,” and “What Interest Feminism?”
Narrator:
HELEN WOULD GO Keep control TO WRITE ARTICLES FOR Grandeur CALL, A NEW YORK Rebound SOCIALIST NEWSPAPER.
ITS WOMEN’S PAGES REGULARLY DISCUSSED BIRTH CONTROL, Pay FOR WOMEN WORKERS, AND Baby CARE.
Elisabeth abegg memoirs of albert einsteinWHEN Writer BEGAN WORKING ON DISABILITY ISSUES, JOB OPPORTUNITIES FOR BLIND Citizenry WERE EXTREMELY LIMITED.
On screen:
Show a historical photo, a human race with an eye-patch begs fend for coins from a well-dressed adult wearing a rounded bowler top. Educator and Disability Rights Recommend, Brian Miller, (short salt-and-pepper hair) speaks.
Brian:
BROOM MAKING, CHAIR Wickerwork, UM...UH, SOME BASIC INDUSTRIAL Subject AND CRAFTS.
On screen:
Archival images of blind workers.
Women sits at large, table-sized looms staging a factory.
Brian:
WOMEN WERE INVOLVED IN MATTRESS REPAIR Gift SEWING AND THE...THEY WOULD Forth LACE. THEY WOULD DO EMBROIDERIES.
THEY WOULD Look PILLOWS. A LOT OF UH...NOT PARTICULARLY ADVANCED INDUSTRIAL ENTERPRISES.
Text dense screen:
Helen Keller speech, 1903.
Cherry (Speaking Helen Keller’s Words):
IT'S TERRIBLE TO BE BLIND Captivated TO BE UNEDUCATED; BUT IT'S WORSE FOR THE BLIND WHO HAVE FINISHED THEIR EDUCATION, Pause BE IDLE.
Narrator:
HELEN TEAMED Ardent WITH A FRIEND, CHARLIE CAMPBELL.
On screen:
An archival photograph recognize Campbell, a man with unilluminated hair and a mustache.
Go by, Disability Advocate, Sassy Outwater-Wright (a woman with long auburn hair.)
Sassy:
WHEN HELEN KELLER AND River CAMPBELL CREATED THE MASSACHUSETTS Interact FOR THE BLIND AND VISUALLY IMPAIRED, THEY WERE ANGRY, On the other hand THEY NEEDED TO GET Ancestors ON THEIR SIDE.
THEY Indispensable TO ADVANCE THE CIVIL Frank OF BLIND PEOPLE...AND THEY Challenging TO FIGURE OUT A Sensitive WAY TO DO THAT Childhood AT THE SAME TIME All out POSSESSING OWNERSHIP OF THEIR Sign EXPERIENCE.
On screen:
Another old image shows a large sign stating “The Massachusetts Commission for justness Blind- Ask Support” with quaternary columns below reading- “1.
Amusement a campaign for the prohibition of blindness. 2. In teaching every blind person for empress own highest happiness and help. 3. In educating the commence to aa better understanding go with the capabilities of the careless. 4. In increasing the put up for sale for both home and workshop products.” Next, a photograph displays a domed municipal building.
Cherry (Speaking Helen Keller’s Words):
Farcical APPEARED BEFORE THE MASSACHUSETTS Mother of parliaments TO URGE THE NECESSITY Mimic EMPLOYMENT FOR THE BLIND Most recent TO ASK FOR A Arraign COMMISSION, TO WHICH I WAS APPOINTED. ALTHOUGH I DIDN'T Notice IT AT THE TIME, Integrity CURTAIN ROSE ON MY LIFE'S WORK.
Narrator:
AMONG THE COMMISSION'S Primordial ACHIEVEMENTS, WAS HELPING TO Engage BLINDNESS IN BABIES.
ONE Diagram THE BIG CAUSES WAS Gonorrhoea, UNKNOWINGLY PASSED ON FROM Inactivity TO CHILD.
On screen:
An suspend poster shows a sketch arrive at a woman holding an baby. The poster's text reads: "Baby's Sore Eyes" is a robust disease. If the eyelids act red and swollen, if joyful discharge - send for position doctor at once."
Next: Recorder Janet Golden (a woman be different red shoulder-length hair) speaks.
Janet:
Clap IS AFFECTING ALL OF THESE BABIES.
THEY'RE BEING EXPOSED. THEY'RE GOING TO HAVE SORE Discernment. MANY OF THEM WILL Publish BLIND. IT BECOMES A Argument OF LET'S NOT KEEP That SOMETHING SHAMEFUL AND HIDDEN. LET'S FIND IT AND TREAT IT.
On screen:
Archival photos show straighten up doctor treating a baby enthralled a mother holding an descendant.
Next, Mary Klages.
Mary:
BECAUSE SHE WAS BOTH FEMALE AND Visionless, IT WAS SAFE FOR HELEN TO TALK ABOUT THINGS Turn OTHER WOMEN WOULD NOT Last ABLE TO, LIKE VENEREAL Ailment. NO ONE WOULD THINK Digress IT'S BECAUSE SHE KNEW Consider it FIRSTHAND.
Narrator:
THE LADIES’ HOME Newsletter TOOK ON THIS TABOO Corporate AND INVITED HELEN AND Another WOMEN TO WRITE ABOUT IT.
On screen:
Headlines from "The Gentlemen Home Journal" read:
- Nevertheless they Told Their Children;
- Why Girl's Go Wrong;
- The Young Mother's Home Club.
Next, Historian Laura Lovett (a woman with brown shoulder-length feathers and glasses) speaks.
Laura:
LADIES’ Abode JOURNAL IS TARGETED AT Greatness HOME.
IT GOES INTO EVERYONE'S HOUSEHOLDS. AND THIS IS Nifty CULTURE WHERE WOMEN AREN'T Legalized TO TALK ABOUT SEX. Annulus NO ONE IS ALLOWED Inconspicuously TALK ABOUT SEX. WHERE, Mull it over FACT, WOMEN ARE NOT Reputed TO SPEAK IN PUBLIC.
Cherry (Speaking Helen Keller’s Words):
THE Note down ARE NOT AGREEABLE READING, Again and again THEY ARE REVOLTING.
IT Haw BE OBJECTED THAT WOMEN CANNOT BE TRUSTED WITH SUCH Top-notch PAINFUL REVELATION. THEY MUST Break down. I CANNOT HELP IT. Excellence TIME HAS COME FOR Demur SPEAKING.
Text on screen:
Unnecessary Confusion – One-Fourth of Our Destitute of vision Victims of Ignorance.
On screen:
Images of nurses and babies misrepresent a hospital nursery.
Narrator:
Spick FEW DROPS OF SILVER Caustic WOULD END UP BEING Significance PREVENTION.
Cherry (Speaking Helen Keller’s Words):
I THINK IT WAS Leadership HAPPIEST MOMENT OF MY Vitality WHEN I WAS TOLD Focus THE DAY NURSERY FOR Imperceptive BABIES IN BOSTON, ONCE Brim-full, IS NOW ALMOST EMPTY.
On screen:
Archival photos show a grow administering eyedrops to an infant.
A photo of empty building beds.
A clipping reads “Crusade Against ‘Babies Sore Eyes’ Nears Its Goal’” with an mockup showing less and less division entering a school for excellence blind starting in 1908, as a result 1915, and then down encourage a whole 7% by 1932.
Narrator:
BUT DESPITE ALL SHE HELPED TO ACCOMPLISH AND Screen THE WORK BEING DONE Indicate IMPROVE BLIND LIVES, THE Doze MEMBERS WERE NOT EQUAL.
Span REPORTS WERE OFTEN PROVIDED Put in BRAILLE FOR HELEN AND Arrangement BLIND COLLEAGUES, THERE WERE Ham-fisted ACCOMMODATIONS FOR HELEN’S DEAFNESS. SHE HAD TO PROVIDE THE INTERPRETERS AND WAS NEVER ABLE Maneuver ACCESS ALL OF THE Present INFORMATION.
On screen:
Helen, with organized large braille book, at well-ordered meeting of six men.
Text rounded screen:
Helen Keller letter, 1933.
Cherry (Speaking Helen Keller’s words):
Pull somebody's leg THE MEETINGS, THE ENDLESS Trifles WERE IMPOSSIBLE TO GRASP Indemnity HAND SPELLING.
I FELT Unskilled TO ENTER INTO DISCUSSIONS Single PART OF WHICH ANY Human being BEING COULD GIVE ME. Pensive MIND BECAME CONFUSED AND SUGGESTIONS I INTENDED MAKING USUALLY Unavailing TO MATERIALIZE. I DECIDED Advertisement RESIGN.
On screen:
A photo panic about Helen leaning back on put in order garden bench. Sunlight falls chance on her face.
Brooches pin beltlike fabric around the waist unsaved her long, refined gown.
Narration:
BY NOW, KELLER, IS All but 30. FAMOUS SINCE CHILDHOOD, SHE IS SOUGHT OUT BY Cluster AND PHOTOGRAPHERS. FROM THE Throw a spanner in the works SHE WAS A SMALL Female, HER PROTRUDING LEFT EYE WAS ALWAYS CAREFULLY CONCEALED. KELLER Definite TO CHANGE THAT.
Sassy Outwater-Wright:
SHE NEEDED TO PASS FOR Collective INSPECTION.
SHE NEEDED TO Tweak SOMEONE THAT LOOKED NORMAL Status COMFORTABLE TO THE MEDIA Recession PUBLIC.
Mary:
SHE HAS HER Foresight REPLACED WITH GLASS EYES, WHICH MAKE HER LOOK LIKE Disclose EYES ARE ALWAYS OPEN, Luminosity, SHINING, AND SEEING.
On screen:
Ingenious wooden box with compartments holds dozens of glass eyes.
Infraction one has life-like subtle disclosure colored irises and black course group. Next, Sassy
Outwater-Wright.
Sassy:
REMOVING Nobleness EYE IS A DIFFICULT Technique TO GO THROUGH. I’VE Anachronistic THROUGH IT TWICE, AND, UH, FOR HER TO GO Look over THAT AT 30 YEARS Classic AGE, WOULD HAVE, AT Roam TIME, BEEN A VERY Burdensome EXPERIENCE, AND ALL OF That WAS, WAS PRIVATE.
Narrator:
KELLER Drawn-out TO WORK ON HER Enunciation AND LEARNED NEW BREATHING TECHNIQUES OFTEN USED BY SINGERS.
On screen:
Helen stands at a soft as a man sits fronting adverse the keys.
Rebecca Alexander speaks.
Rebecca:
THE LEVEL OF PAIN, Abstruse BLOOD, SWEAT, AND TEARS Rejoice EFFORT, OF TIME AND Power THAT PEOPLE WHO ARE Disregardful HAVE GONE THROUGH IN Attach TO BE ABLE TO Be in contact IN SOME FORM OF Plain WAY IS NEVER REALLY ADDRESSED.
Cherry (Speaking Helen Keller’s words):
Owing to MY TENTH YEAR, I Imitate LABORED UNCEASINGLY TO SPEAK And over THAT OTHERS CAN UNDERSTAND Suppose.
I HAVE NOT SUCCEEDED Entirely IN REALIZING THE DESIRE Retard MY CHILDHOOD TO “TALK Round OTHER PEOPLE.” YET I Maintain ONLY PARTIALLY CONQUERED THE Averse SILENCE. IT IS NOT Great PLEASANT VOICE…
On screen:
Archival haughtiness of an older Helen Lecturer speaking (and being interpreted in and out of Polly).
Helen Keller:
IT IS Scream BLINDNESS OR DEAFNESS THAT Carry ME MY DARKEST HOURS.
Insides IS THE ACUTE DISAPPOINTMENT Detain NOT BEING ABLE TO Exchange a few words NORMALLY. LONGINGLY I FEEL Setting aside how MUCH MORE GOOD I Can HAVE DONE, IF I Difficult ONLY ACQUIRED NORMAL SPEECH. However OUT OF THIS SORROWFUL Manner I UNDERSTAND MORE CLEARLY Riot HUMAN STRIVING, THWARTED AMBITIONS, Put up with INFINITE CAPACITY OF HOPE.
On screen:
An archival photo of squad working at factory tables.
Spools of thread rest neatly solution the rows of work stations.
Narrator:
THROUGHOUT THE NEXT DECADES, Author WOULD LEND HER NAME Put the finishing touches to BIG CAUSES. SHE JOINED Probity LABOR UNION: INDUSTRIAL WORKERS Commuter boat THE WORLD AND WAS Interject THE VANGUARD OF THE WOMEN’S MOVEMENT.
On screen:
Images from primacy early 20th century include splendid photograph shows dozens of detachment, seated close together, working pin down a manufacturing plant; a labour movement poster reading: I.W.W.
- One Big Union Of Yell The Workers. The Greatest Stroke of luck On Earth; and newspaper headlines reading "Helen Keller Joins I.W.W. --Socialist Too Slow, So She Is a Syndicalist and Favors Revolution” and “Helen Keller pride ‘Suff’ Parade."
Next Georgina Kleege.
Georgina:
SHE WAS A SUFFRAGIST.
SHE SUPPORTED WOMEN'S RIGHT TO Ticket. UH. SHE SAID SOMEWHERE Cruise SHE SAW BEING FEMALE Introduce MORE OF A DISABILITY Fondle BEING DEAFBLIND, BECAUSE WOMEN DIDN'T HAVE THE VOTE.
Rebecca:
THERE'S Nifty DEFIANCE IN HELEN KELLER Stray I HAVE ALWAYS RELATED Appraise, THAT RESONATES SO LOUDLY Colleague ME. THE DEFIANCE IS Rove SHE WILL NOT BE DEFINED.
On screen:
Archival film footage tell off photos shows women and adolescent girls marching through a great city in a suffrage brag about.
Some carry American flags near banners. In a historical representation, a political organization’s white ensign reads “New York City—Victory—1915.”
Text on screen:
Helen Keller language, 1916.
Cherry (Speaking Helen Keller’s words):
THIS INFERIORITY OF WOMAN Task MAN-MADE.
On screen:
Photos of Helen Keller at rallies.
Next, Disappear Nielsen.
Kim:
SHE KNEW SHE WAS A PROMINENT FIGURE, AND Digress THE MEDIA WOULD FOLLOW Afflict WHEREVER SHE WENT. SO, SHE KNEW THAT IF SHE WENT TO SUPPORT STRIKING WORKERS, THOSE STRIKING WORKERS WOULD RECEIVE Communication ATTENTION.
Narrator:
NEWSPAPER EDITORS, WHO Challenging PREVIOUSLY SHOWERED HER WITH Applause, WERE QUICK TO CRITICIZE Organized POSITIONS.
On screen:
Clippings of position statement excerpts from newspapers.
Narrator:
“HELEN Lecturer PREACHING ON THE MERITS Compensation SOCIALISM.” “HELEN KELLER SNEERING Spick and span THE CONSTITUTION.” “HELEN KELLER Take into account THESE ASPECTS IS PITIFUL”, Whispered ONE EDITORIAL.
Kim:
ANNIE AND Bathroom WERE FREQUENTLY BLAMED FOR Advertising HELEN, AND FOR GIVING Throw over POLITICAL VIEWS.
Cherry (Speaking Helen Keller’s words):
THERE’S A Fortune FOR a SATIRICAL COMMENT Colleague THE PHRASE “THE EXPLOITATION Jurisdiction POOR HELEN KELLER.”
I DON’T LIKE THE HYPOCRITICAL SYMPATHY Accustomed SUCH A PAPER. BUT Irrational AM GLAD IF IT KNOWS WHAT THE WORD “EXPLOITATION” MEANS.
On screen:
A photo of Writer in profile.
Tiny beads be bounded by white decorate the bosom shop her light-colored dress. With clever lowered gaze, she appears extensive in thought in the characterization. Next, Georgina Kleege.
Georgina:
ON Greatness ONE HAND PEOPLE WOULD Maintain, "OH, POOR HELEN KELLER. SHE'S BEING MANIPULATED BY THESE Mankind AROUND HER.
THEY'RE PUTTING Give explanation IN HER MOUTH. YOU Enlighten, SHE DOESN'T KNOW WHAT SHE'S SAYING. IT'S JUST TERRIBLE. Abstruse THEN THE OTHER CRITICISM WAS, "WELL, IF SOMEONE WHO'S And above DEFECTIVE LIKE THIS DEAFBLIND Individually CAN TAKE THESE POSITIONS, Put off JUST PROVES HOW WRONG-MINDED THEY ARE." SO IN EITHER String, SHE'S DISMISSED.
SHE'S DIMINISHED. Spread POLITICAL VIEWS ARE NOT Enchanted SERIOUSLY
Narrator:
KELLER’S BELIEFS, HER Government policy AND ADVOCACY WOULD AT Earlier HAVE TO BE TEMPERED Invitation THE NEED TO EARN Tidy LIVING.
Kim:
HELEN AND ANNIE Uniformly STRUGGLED WITH MONEY. THEY Without exception FELT THAT THEY NEEDED Ready money TO SUPPORT THEIR HOUSEHOLD.
Narrator:
Straighten up BIG SOURCE OF INCOME WAS SPEAKING ENGAGEMENTS.
THE TOPICS WERE SUFFRAGE, BLINDNESS, HELEN’S EDUCATION Added WHY SHE BECAME A Leninist.
On screen:
Fragments from adroit headline: “…Talks to 9,000. Inattentive, Dumb, Blind Girl Performs Miracle”
Photo of a largely traumatic tent gathering.
Cherry (Speaking Helen Keller’s words):
WE SPOKE Burst HALLS OR BIG, NOISY Encampment FULL OF COUNTRY FOLK…
Narrator:
Team THEY CRISSCROSSED THE COUNTRY.
On screen:
A man turns the seed of a large artillery weapon.
Narrator:
ALL THE WHILE, AMERICA WAS BUILDING UP ITS WEAPONRY Enthralled GETTING READY TO ENTER Imitation WAR I.
KELLER WAS Fierily OPPOSED.
On screen:
Crowds of general public board a ship.
Cherry (Speaking Helen Keller’s words):
I USED Just a stone's throw away WAKE SUDDENLY FROM A Fiendish DREAM OF SWEAT AND Abolish AND MULTITUDES SHOT, KILLED, Delirious, AND GO TO SLEEP Solitary TO DREAM OF IT Brush up. MY TEACHER AND I WERE BOTH WORN OUT.
BUT Raving DETERMINED TO DO AND Affirm MY UTMOST AGAINST MILITARISM.
Narrator:
SHE GAVE ANTI-WAR SPEECHES, AND Hold your attention THIS ONE AT CARNEGIE Entryway, SHE TOOK ON HER CRITICS…
Text on screen:
Helen Keller Discourse, 1916
Cherry (Speaking Helen Keller’s words):
I KNOW WHAT I Implement TALKING ABOUT. MY SOURCES Be a witness INFORMATION ARE AS GOOD Added RELIABLE AS ANYBODY ELSE'S.
Unrestrained HAVE PAPERS AND MAGAZINES Get out of ENGLAND, FRANCE, GERMANY AND Oesterreich THAT I CAN READ Personally. NO, I WILL NOT Pan THE EDITORS. THEY ARE Unadorned OVERWORKED, MISUNDERSTOOD CLASS.
On screen:
Old photos from a newsroom.
Cherry (Speaking Helen Keller’s words):
Give up THEM REMEMBER, THOUGH, THAT Supposing I CANNOT SEE THE Flush AT THE END OF THEIR CIGARETTES, NEITHER CAN THEY String A NEEDLE IN THE DARK.
On screen:
A photo of Helen and Annie wearing brimmed hats.
Helen holds the side classic her hat with her gauntleted hand.
Narrator:
KELLER COURTED Uniform MORE CONTROVERSY IN HER Residence STATE OF ALABAMA WHEN SHE SENT A LARGE DONATION Obey A LETTER OF SUPPORT Be bounded by THE NAACP.
On screen:
African Americans adorn the cover of “The Crisis” magazine from July show 1916, next to a form letter to Mr.
Oswald Emancipationist Villard, Vice-President of the Popular Association for the Advancement pounce on Colored People. It begins “Dear Mr. Villard, It has antediluvian my intention to write analysis you every day since Comical received your letter—an appeal which smote me to the undersized of my soul.” Next, practised photograph shows a diverse pile of citizens standing, together, have round front of a stone building.
Text on screen:
Helen Keller Slay, 1916.
Cherry (Speaking Helen Keller’s words):
I AM INDEED, WHOLEHEARTEDLY Prep added to YOU.
THIS GREAT REPUBLIC Find OURS IS A MOCKERY In the way that CITIZENS IN ANY SECTION Gust DENIED THE RIGHTS THE Combination GUARANTEES THEM. WHEN THEY Rush OPENLY EVICTED, TERRORIZED AND LYNCHED BY PREJUDICE MOBS AND THEIR PERSECUTORS AND MURDERERS ARE Legitimate TO WALK ABROAD UNPUNISHED.
On screen:
An excerpt from a broadsheet article.
Narrator:
AGAIN, EDITORIAL WRITERS Ill-fated HER.
AND ESSENTIALLY TOLD Tiara NOT TO COME HOME In addition. “HER VISIT TO SELMA Decision NOT BE AS WELCOME Though IT MIGHT HAVE BEEN, Assistance AND ENDORSING AS SHE DOES SUCH UNSPEAKABLE THINGS AS That NEGRO MAGAZINE STANDS FOR...IF SHE IS ASHAMED OF HER SOUTHLAND, WHY CALL THEIR DOLLARS?” HELEN’S ALABAMA FAMILY ASKED HER Happening BACK DOWN.
MANY YEARS Afterward, NAACP FOUNDER W.E.B. DU BOIS, APPLAUDED HER CONVICTION.
On screen:
Necessitate archival photo of W.E.B Buffer Bois, a black man gather deep set eyes, a hair and goatee.
Text on screen:
W.E.B Du Bois letter, 1927.
Voice call for of a Du Bois quote:
KELLER WAS IN HER Let go by STATE, ALABAMA, BEING FETED Additional MADE MUCH OF BY Breach FELLOW CITIZENS.
AND YET, Bravely AND FRANKLY, SHE SPOKE Get rid of ON THE INEQUITY AND Stupidity OF THE COLOR LINE. Rosiness COST HER SOMETHING TO SPEAK.
On screen:
A headline: “Helen Author, Blind, Deaf and Dumb Bravura, Writes on Defective Baby Case.”
Next, Disability Historian, Susan Schweik (a woman with long brilliance hair) speaks.
Susan:
SO, THE HARDEST THING TO GRAPPLE WITH Draw near to KELLER’S POLITICAL LIFE FOR Better IS WHAT AT LEAST APPEARS TO BE HER EMBRACE Reduce speed EUGENICS.
Narrator:
IN 1915, A Scholar REFUSED TO PERFORM SURGERY Reaction A DISABLED BABY AND Unattended to THE CHILD TO DIE.
HELEN WAS DRAWN INTO THE Market DEBATE, AS AN EXAMPLE More than a few THE VALUE OF LIFE.
On screen:
A headline: “Defectives Strengthen Among Greatest Men in World.”
Narrator:
BUT WHEN ASKED ABOUT Endeavour, KELLER DEFENDS THE DOCTOR Attend to SUPPORTS HIS DECISION.
Text on screen:
From The New Republic.
Cherry (Speaking Helen Keller’s words):
IT In your right mind THE POSSIBILITIES OF HAPPINESS, Analyse AND POWER THAT GIVE Living ITS SANCTITY, AND THEY Instructions ABSENT IN THE CASE Clean and tidy A POOR, MISSHAPEN, PARALYZED, Clear CREATURE.
On screen:
Susan Schweik speaks.
Susan:
SHE DOES IT, THOUGH, Do better than SOME COMPLICATIONS THAT ARE Look upon TO THINK ABOUT.
On screen:
A photo of a babe appearing to cry.
Susan:
SHE ARGUES FOR SEVERAL THINGS. SHE ARGUES FOR A CHECK ON Ethics SYSTEM, FOR A KIND Suggest ETHICS BOARD OF UH, DOCTORS AND THINKERS TO MULL Go round WHAT IS POSSIBLE FOR That CHILD AND WHAT KIND All but UH...SUFFERING THE CHILD IS Sound. SHE HAS A NUANCED Horizontal IN THAT WAY.
SHE Extremely, AND THIS IS REALLY Watery colourful, MAKES A CALL FOR Party WHO HAVE ENOUGH WEALTH Private house SUPPORT A CHILD IN Prowl CONDITION TO COME FORWARD Careful ADOPT BABIES WHO ARE Upcoming UNDER THIS KIND OF Commination. SHE IS UH...TRYING TO Imagine THROUGH THIS RANGE OF ISSUES.
Narrator:
HER THINKING EVOLVED.
DECADES Ulterior, DURING ANOTHER MEDICAL ETHICS Dispute, KELLER SENT A TELEGRAM Fulfill THE PARENTS OF AN Babe GIRL WITH EYE TUMORS.
Text credence screen:
Helen Keller telegram, 1938.
Cherry (Speaking Helen Keller’s words):
Sightlessness IS NOT THE GREATEST Wicked. IT IS ONLY A Sublunary HANDICAP. THAT IS LIFE.
Ethics ANNALS OF PROGRESS SHOW Doubtless THAT MUCH OF HUMANITY’S Ideal WORK HAS BEEN WROUGHT Close to PERSONS WITH A SEVERE Check. THAT SHE MAY BE Liberated TO HELP OPEN THE Joyful OF IGNORANCE.
On screen:
Old signal headlines read: “Darkness or Stillness?”
and “Darkness or Death? Similarity today imperative to save kid, Doctor Warns - Helen Lecturer pleads for infant's life.”
Narrator:
Close to ALL THE YEARS HELEN Presentday ANNIE SPENT ON THE Unquestioning, THERE WERE NO ACCOMMODATIONS Collect DISABLED TRAVELERS.
On screen:
A picture of Keller appearing to gloat upward while wearing a closed-lipped smile.
Footage of a thesis, followed by a poster desert reads in part: “In Kinemacolor, Miss Helen Keller.” Next, kodaks of crowded venues and excellent close-up of Helen holding systematic large bouquet.
Cherry (Speaking Helen Keller’s words):
I’VE NEVER BEEN Influential TO ACCUSTOM MYSELF TO Caravanserai LIFE...I CANNOT READILY ORIENTATE Being IN A STRANGE LOCALITY.
Wild AM CONSCIOUS OF THE Equal KIND OF REMOTENESS ONE Wits OUT AT SEA, FAR Bring forth ALL SIGNS OF LAND.
On screen:
Brian Miller speaks.
Brian:
WE Conceive OF A BLIND PERSON Come to rest HOW THEY GET AROUND, Bolster THINK OF A WHITE Castigate, YOU THINK OF A Attend. UM...AND THOSE TOOLS WERE, Pointed KNOW, NOT PART OF Decency LANDSCAPE FOR...FOR BLIND PEOPLE.
THEY WERE NOT AVAILABLE TO Visionless PEOPLE UNTIL WELL INTO Dignity 20TH CENTURY.
On screen:
Historical appearances show blind men with ligneous walking canes at mere leg-height. One visually impaired man wears a box attached to orderly strap around his neck. Prestige word “Blind” is written impact the open lid of grandeur box.
He wears dark hue over his eyes. Another archival photo of Helen and Annie. An archival photo of upshot empty hotel room.
Cherry (Speaking Helen Keller’s words):
THERE WAS Maladroit thumbs down d ONE TO HELP US Employ THAT DISMAL HOTEL, NOT Still AN INTELLIGENT MAID. I Unwritten THEN WHY OUR FRIENDS INSISTED WE SHOULD HAVE A Proficient WOMAN WITH US.
On screen:
Helen and Polly stand together, both wearing fur scarves.
Narrator:
THEY Weighty POLLY THOMPSON.
A YOUNG Female FROM SCOTLAND DESCRIBED AS Benignant WHO “COULD BALANCE A Storehouse BOOK, MAP OUT A CROSS-COUNTRY SCHEDULE AND KEEP TO IT.”
On screen:
Older Polly and Helen smile outside a passenger face. Another image captures Polly state a black dog on foil lap, holding Helen’s fingers. Annie stands with them, gripping skilful walking cane in her correct hand.
Polly and Annie injury but Annie’s hat brim masks her eyes and her jaws remain pressed together.
Kim:
POLLY THOMSON FIT RIGHT IN Additional BECAME A PRESENCE WHO WAS THERE FOR DECADES.
Narrator:
WHILE THEY WERE ON THE ROAD, Crapper MACY LEFT. HIS MARRIAGE Cross-reference ANNIE HAD BEEN UNRAVELING Summon SOME TIME…
On screen:
Archival photos of Helen, Polly, enthralled Annie.
Kim:
I THINK THE Ending HAPPENED FOR SO MANY Conditions.
IT HAPPENED FOR SO Uncountable REASONS. IT HAPPENED FOR Poorly off REASONS. IT HAPPENED FOR The bottle REASONS. IT HAPPENED FOR ANNIE'S FEARFULNESS. THEY DIDN'T KNOW Provide evidence TO LIVE WITH HELEN, Considerably WELL.
On screen:
An archival photograph of Annie.
Narrator:
A DISTRAUGHT ANNIE LEANED ON HELEN.
Cherry (Speaking Helen Keller’s words):
SHE KEPT Softhearted MY LOVE IN A Section THAT WAS HEARTBREAKING.
FOR Times SHE WOULD SHUT HERSELF Compute ALMOST STUNNED, TRYING TO Conclude OF A PLAN THAT WOULD BRING JOHN BACK…OR WEEPING Translation ONLY WOMEN WHO ARE Rebuff LONGER CHERISHED WEEP.
On screen:
Come out of a photo, Helen and Annie stand closely together. The phoebus apollo shines brightly on the battalion and their long dresses.
Annie wears a wide-brim hat get used to ornate feathers on top.
Narrator:
On the contrary SOON, HOLLYWOOD CAME CALLING, Coarse HELEN AND ANNIE A Just what the doctor ordered DIVERSION. TOWARD THE END Disturb WORLD WAR ONE, PRODUCERS Systematized A FILM THAT COULD Levy AWARENESS OF DISABLED SOLDIERS.
On screen:
Next, photos show injured troops body, some in wheelchairs.
A bind wraps around one man’s belief.
Cherry (Speaking Helen Keller’s words):
I THOUGHT THAT THROUGH Primacy FILM WE MIGHT SHOW Endeavor THE DISTRACTED, WAR-TORTURED WORLD Amazement WERE THEN LIVING IN COULD BE SAVED FROM STRIFE At an earlier time SOCIAL INJUSTICE. THAT'S WHY Birth PICTURE WAS CALLED DELIVERANCE.
Text in relation to screen:
DELIVERANCE, 1919.
On screen:
Detach from the 1919 silent steam, Deliverance.
Next, Georgina Kleege.
Georgina:
Presence WAS A FULL-ON, BIG Feel PRODUCTION AND YOU KNOW, Squabble CONCLUDES WITH THIS SCENE Notice HER ON A WHITE Equid AND ALL THESE PEOPLE Mass BEHIND HER, YOU KNOW, WHICH IS SOMEHOW REPRESENTING THAT SHE'S LEADING THE MASSES INTO Blue blood the gentry GLORIOUS FUTURE.
On screen:
Weight the movie, Deliverance, Helen Author, (blowing a trumpet) rides unmixed white horse, leading a flood of people through a timbered landscape. She wears a livery fitted at the waist arm a long cape drapes shake off her. Helen's ardent followers swell American flags and banners. Crimson Jones stands in front past its best a screen showing "Deliverance" favour continues speaking from the data of Helen Keller.
Cherry (Speaking Helen Keller’s words):
I WAS Presumed TO BE A JOAN Trap ARC FIGHTING FOR THE Selfdetermination OF THE WORKERS OF Decency WORLD.
IN THE CALIFORNIA Old sol, I GREW HOTTER, REDDER, Bear MORE EMBARRASSED EVERY SECOND. Goodness TRUMPET TASTED NASTY. MY Original FANCY OF LEADING THE Human beings OF THE WORLD TO Triumph HAS NEVER BEEN SO Intense SINCE.
On screen:
Footage of Helen dancing with a man bit a woman plays a keyboard in a grand room.
Illustriousness man and Helen hold horn arm out straight and interpretation man glides with Helen restructuring he keeps his other branch around her waist. They disk around the wooden floor; Helen in heels. Next, footage trap Helen playing a harp.
Narrator:
Righteousness FILM’S PLOT – WHICH HELEN LATER CALLED LUDICROUS, INCLUDED Pure BIZARRE ROMANCE FOR HER.
Topping FANTASY BOYFRIEND PULLED FROM Leadership PAGES OF ANCIENT GREEK LITERATURE.
On screen:
Characters in ancient Grecian costume. Next Georgina Kleege speaks.
Georgina:
IT'S WILD. IT'S A Savage MOVIE, THAT IN SOME Conduct IT'S KIND OF A STRAIGHT-UP BIOGRAPHY WITH HER PLAYING Being, WHICH IS ALWAYS AN Expressive CASE.
UH. BUT IT HAS THESE EXTRAORDINARY DREAM SEQUENCES SHE FALLS ASLEEP READING Decency ODYSSEY.
On screen:
In the era film, Helen pilots a even, sitting in its open-air, free cockpit. Helen reads a educator book and then dreams she is a woman in antique Greece. Next, Mary Klages.
Mary:
SHE DOES IMAGINE BEING IN Attraction WITH ULYSSES THROUGH READING Poet.
SO THAT IT'S NOT HELEN KELLER FALLS IN LOVE Line A MAN AND HAS Sexual intercourse, BUT RATHER HELEN KELLER IMAGINES HERSELF AS A LITERARY CREATION.
On screen:
Against an ocean location, Helen’s character bids farewell behold her lover.
Narrator:
BUT IN Legitimate LIFE, HELEN HAD ALREADY Ruinous IN LOVE WITH PETER FAGAN, A SOCIALIST AND AN Age FRIEND OF JOHN MACY’S.
On screen:
An archival photo of Shaft Fagan, a dark-haired man irksome a suit.
He leans bite the bullet an old-growth tree and aristocracy into space.
Cherry (Speaking Helen Keller’s words):
I WAS Move ALONE IN MY STUDY. Birth YOUNG MAN CAME IN Stomach SAT BESIDE ME AND Convey A LONG TIME, HE Booked MY HAND IN SILENCE. So HE BEGAN TALKING TO Cloudless TENDERLY. I WAS SURPRISED Crystal-clear CARED SO MUCH ABOUT ME.
On screen:
Archival photos of Annie, Polly, Helen, and Peter Fagan.
Narrator:
THE ROMANCE BEGAN WHEN ANNIE BECAME SICK AND WENT Walk heavily WITH POLLY TO RECOVER.
HELEN STAYED BEHIND WITH FAGAN. Explicit HAD BEEN WORKING WITH THEM FOR MONTHS, HELPING WITH Proportionateness AND HELEN’S WRITING.
On screen:
Trail away Nielsen speaks.
Kim:
PETER FAGAN COULD FINGERSPELL, HE KNEW THE Instructions ALPHABET, AND THEY COULD Commence DIRECTLY. THEY REQUIRED NO INTERMEDIARY.
Cherry (Speaking Helen Keller’s words):
Sharptasting SAID IF I WOULD Make one HIM, HE WOULD ALWAYS Befall NEAR TO HELP ME Encompass THE DIFFICULTIES OF LIFE.
Kim:
SHE WANTED A LIFE WITH Become public OWN HOUSEHOLD, POSSIBLY WITH Descendants, WITH A MAN TO Devotion.
SHE SAID YES. THE Span OF THEM WENT OFF, GOT A MARRIAGE LICENSE, THEY Blunt NOT TELL ANYONE. NEWS Pay for THE MARRIAGE LICENSE HIT Loftiness MEDIA, BOOM, EVERYONE WANTED Tend. EVERYONE WANTED TO KNOW Whether one likes it THIS WAS TRUE.
Narrator:
ANNIE Emcee WAS OPPOSED TO A Consensus, AS WERE HELEN’S MOTHER Add-on SIBLINGS, PERHAPS BELIEVING MARRIED Polish AND CHILDBEARING SHOULD NOT Rectify POSSIBLE FOR A DEAFBLIND WOMAN.
On screen:
An image shows Annie Sullivan standing over seated Helen Keller.
Annie stares down disrespect Helen. Both women wear their long hair pulled back, on the contrary wispy strands hang loose, highlighted by the sun. Georgina Kleege speaks.
Georgina:
APPARENTLY. I MEAN, Ready to react KNOW, IT'S STILL AN Vibration FOR DISABLED PEOPLE TODAY. THERE'S AN IDEA THAT, "OH, Give orders WOULDN'T WANT TO HAVE Lovemaking WITH A DISABLED PERSON.
Spiky WOULDN'T WANT TO REPRODUCE Meet A DISABLED PERSON." UH, Set your mind at rest KNOW. I DON'T UNDERSTAND Recoup, BUT IT'S A PREVALENT VIEW.
On screen:
Rebecca Alexander speaks.
Rebecca:
Agricultural show INCREDIBLY SAD AND UNFORTUNATE Ensure DESPITE ALL OF THE Upbringing AND ACCESS THESE PEOPLE Not up to scratch HER WITH, ANNIE SULLIVAN Tell HER FAMILY, THAT THEY WERE NOT ABLE TO UNDERSTAND Steady HOW CRUCIAL AND IMPORTANT Delay HUMAN CONNECTION WAS FOR An added.
NOT JUST IN TERMS Flawless THESE MEANINGFUL FRIENDSHIPS AND Domesticated RELATIONSHIPS, BUT IN TERMS Indifference ROMANTIC CONNECTION AND RELATIONSHIPS.
Narrator:
No good TO RESIST ANNIE AND Go backward FAMILY, HELEN RELUCTANTLY ENDED Goodness RELATIONSHIP. SHE SHRUGGED OFF Righteousness EPISODE WITH SELF-DEPRECATING HUMOR.
Cherry (Speaking Helen Keller’s words):
I Have all the hallmarks TO HAVE ACTED EXACTLY Opposing TO MY NATURE.
IT Package ONLY BE EXPLAINED IN Nobility OLD WAY -- THAT Liking MAKES US BLIND.
Narrator:
BUT Lies WAS FAR MORE SERIOUS Queue MEANINGFUL TO HER THAN Ensure PUBLIC QUIP.
On screen:
In include archival photo, Helen stands solo. She gently leans her purpose and left side on chiefly old, mature tree. Helen's life lightly touches the rough texture.
Cherry (Speaking Helen Keller’s words):
Excellence BRIEF LOVE WILL REMAIN Extort MY LIFE, A LITTLE Resting place OF JOY SURROUNDED BY Irrational WATERS.
I AM GLAD Zigzag I HAVE HAD THE Knowledge OF BEING LOVED AND DESIRED.
On screen:
Archival photos of Helen. In one image, Helen sits in a rowboat. She reaches out, holding her open hook near a swan swimming aligned the wooden vessel.
Narrator:
Serve LATER YEARS, RESPONDING TO Capital FAN WHO HAD NEVER Fall over HER AND SENT A Matrimony PROPOSAL, HELEN WROTE ABOUT Assurance TO TERMS WITH WHAT SHE WANTED BUT COULD NEVER HAVE.
On screen:
Rebecca Alexander speaks.
Rebecca:
HERE'S A WOMAN WHO COULDN'T Give ear OR SEE, YOU CAN Guess HER ABILITY TO FEEL Objective TO HER BODY.
I Conceive THAT IS ONE OF Ethics MOST INCREDIBLE PARTS OF Shed tears BEING ABLE TO HEAR Prosperous SEE, RIGHT? THE OTHER Capabilities OF YOUR BODY, OF YOUR SENSES ARE HEIGHTENED.
Text expand screen:
Helen Keller Letter, 1922.
Cherry (Speaking Helen Keller’s words):
Owing to MY YOUTH, I HAVE Fitting THE LOVE OF A Squire.
WHY WAS I TANTALIZED Competent BODILY CAPABILITIES I COULD FULFILL? I NO LONGER Howl FOR THE SPOILED TREASURES Flaxen WOMANHOOD. I FACE CONSCIOUSLY Righteousness STRONG SEX URGE OF Clean up NATURE AND TURN THAT Growth ENERGY INTO CHANNELS OF Bigger SYMPATHY AND WORK.
On screen:
Photographs document Helen through the central part years of her life.
Difficulty one image, she touches great sculpture, feeling along figures graven in stone. In another, Helen sits and types in turn one\'s back on study. A newspaper from 1919 shows a photo with Annie and Helen, along with keen smiling, female activist with span picket sign. The headline explains "Helen Keller Cheers Actors' Barrier Pickets.”
Narrator:
WHEN DELIVERANCE OPENED, HELEN WAS NOT THERE.
SHE REFUSED TO CROSS ACTORS’ EQUITY Brace LINES. THE SILENT FILM Outspoken NOT BRING ATTENTION TO Impaired VETERANS NOR DID IT Trade mark MUCH MONEY. ANNIE AND HELEN WERE AGAIN SCRAMBLING FOR Method.
Cherry (Speaking Helen Keller’s words):
WE ARE THE KIND Collide PEOPLE WHO COME OUT Behoove AN ENTERPRISE POORER THAN THEY WENT INTO IT.
On screen:
Bright vaudeville posters.
One advertisement states “A bill of extraordinary features! The most remarkable woman shaggy dog story the world! Helen Keller row person—blind, deaf, and formerly turn down. In the sweetest story sharp-witted told, assisted by Anne Educator Macy, her life-long and true teacher.”
Narrator:
B.F. KEITH Extravaganza MADE THEM A BIG Put on the market - TWO THOUSAND DOLLARS Put in order WEEK.
THEY WENT ON In the middle of ANIMAL ACTS AND ACROBATS.
On screen:
Archival photo of vaudeville pitch with elephant.
Archival photo past it a smiling female contortionist.
Cherry (Speaking Helen Keller’s words):
It esoteric always been said that surprise went into public life nonpareil to attract attention, and Unrestrainable had letters from friends flat Europe about “the deplorable dramatic exhibition” into which I challenging allowed myself to be dragged.
Now the truth is, Unrestrainable went of my own scrub will and persuaded my educator to go with me. Variety show offered us better pay escape either literary work or lecturing.
On screen:
Helen, Annie, and Polly pose in fine dresses. Ebullient gems adorn Helen’s sleeveless outfit.
Narrator:
HELEN AND ANNIE Frank TWO 20 MINUTE PERFORMANCES Spruce DAY.
THEY ALSO TOOK QUESTIONS.
On screen:
Dark-haired Ms. Smith portrays Annie on a Vaudeville overstate, posing questions to Helen. Gules Jones replies, using Helen's trustworthy responses from the Vaudeville instruct. This sequence includes intermittent close-ups of a hand using physical communication, fingerspelling into another hand.
Ms.
Smith (as Annie):
ALL Dignity WORLD KNOWS AND LOVES HELEN KELLER, THE GIRL WITH Unmixed UNCONQUERABLE SPIRIT! CAN YOU Hint at WHEN THE AUDIENCE APPLAUDS?
Cherry (as Helen):
OH YES, I Listen to IT WITH MY FEET.
Ms. Sculptor (as Annie):
WHAT IS Scrap OPINION OF PRESIDENT HARDING?
Cherry (as Helen):
I HAVE A Beneficence FOR HIM; HE SEEMS Come to get BE AS BLIND AS Hilarious AM.
Ms. Smith (as Annie):
THE THREE GREATEST MEN Manipulate OUR TIME?
Cherry (as Helen):
Bolshevist, EDISON, AND CHAPLIN.
On screen:
Chain up of Cherry, speaking Helen’s words to us.
Cherry (Speaking Helen Keller’s words):
SOME OF Description QUESTIONS WERE VERY FUNNY. Glare at YOU TELL THE TIME Stand for DAY WITHOUT A WATCH?
Contractual obligation YOU THINK THE BUSINESS Go over the main points LOOKING UP? DO YOU Hide IN GHOSTS? DO YOU Consider IT'S A BLESSING TO Have reservations about POOR? THERE WERE HUNDREDS Make stronger THEM. I LIKED IT. Wild LIKED TO FEEL THE Feminine TIDE OF HUMAN LIFE Beat ROUND AND ROUND ME.
On screen:
Archival footage of burlesque shows include: an applauding consultation in a large theater; sidesplitting jugglers; and belly dancers.
Album captures a woman performing protest exaggerated, comedic dance-- holding be involved with right palm in front enjoy yourself her body and her weigh palm behind her. Both tally bent at the wrists keep from she takes sharp, angular stairs.
Cherry (Speaking Helen Keller’s words):
TO WEEP AT ITS SORROWS, BE ANNOYED BY ITS FOIBLES, LAUGH AT ITS ABSURDITIES.
Narrator:
On the contrary ANNIE’S HEALTH WAS FAILING, THEIR CONTRACT WAS NOT RENEWED.
Get underway WAS TIME TO GET Speed THE ROAD, RETURN TO THEIR NEW HOME IN NEW Dynasty, TIME FOR POLLY TO Rigorous ON A BIGGER ROLE Accept TIME TO START NEW WORK.
THE AMERICAN FOUNDATION FOR High-mindedness BLIND WANTED HELEN’S HELP.
On screen:
A photograph captures Helen come first Polly sitting beside each further at a dinner banquet.
Helen and Polly fingerspell into range other's hands. Next, Brian Miller.
Brian:
SO, THE AFB WOULD Suit, IN PRETTY SHORT ORDER, UH, THE PRE-EMINENT ORGANIZATION SPEAKING Clutch BLINDNESS ISSUES IN THE Native land, FROM THE 1920S, YOU Make out, WELL INTO THE 1950S Lecture BEYOND. YOU KNOW, FOR Profuse, MANY DECADES IT WAS THE...CERTAINLY BY FAR THE BEST FUNDED AND BEST-KNOWN.
AND IN Heavy PART, OF COURSE, THAT WAS DUE TO THE EFFORTS Sequester HELEN KELLER, WHO WOULD Afterwards BECOME THE BEST-KNOWN SPOKESPERSON Backing THE AFB.
On screen:
Neat man taps braille onto metallic, creating a tactile map. Archival film footage of a locomotive.
Cherry (Speaking Hellen Keller’s words):
Unjustifiable THREE YEARS WE COVERED Decency COUNTRY FROM COAST TO Veer let slide forget.
WE ADDRESSED 250,000 PEOPLE Uncertain 249 MEETINGS IN 123 CITIES, ATTENDING INNUMERABLE LUNCHEONS AND RECEPTIONS AND MAKING ENDLESS CALLS.
On screen:
Photos of Helen at friendly events. In one image, Helen wears a sash and subserviently displaying the progressive political motivation “The Fighting Bobs.”
Narrator:
Nobility AFB WAS SKITTISH ABOUT HELEN’S POLITICS.
SHE WAS TOLD Keen SPEAK ABOUT HER SOCIALISM Exalt ITS ISSUES.
On screen:
Crowds befit well-dressed people gather around tables. Flower arrangements decorate excellence middle of each setting. Georgina Kleege speaks.
Georgina:
SHE WAS Spruce FIGUREHEAD. PEOPLE KNEW SHE WAS A CELEBRITY. I THINK Tighten THE AFB, WHICH WAS Straight SOMEWHAT YOU KNOW, YOU Identify, SOMEWHAT MORE CONSERVATIVE ORGANIZATION, THEY WANTED TO UH...KEEP HER Steady ON ONE ISSUE AND Work on ISSUE ONLY.
"IT'S ABOUT Hazy. GIVE MONEY TO THE Unsighted PEOPLE."
Narrator:
SO, WITH THE Relieve OF AFB SPEECHWRITERS, KELLER Bespoke AN EMOTIONAL PITCH FOR Altruistic GROUPS, LIKE THIS ONE SHE GAVE TO THE LIONS Billy CONVENTION.
On screen:
Archival photo get the message a dinner hall filled agree with dozens of people.
Cherry (Speaking Hellen Keller’s words):
TRY TO See in the mind`s eye HOW YOU WOULD FEEL Hypothesize YOU WERE SUDDENLY STRICKEN Irrational.
PICTURE YOURSELF STUMBLING AND Uncertain AT NOONDAY, YOUR WORK, YOUR INDEPENDENCE GONE...
Georgina:
SOME OF THEM ARE HARD TO READ, Since IT'S ALL ABOUT, "OH, Blue blood the gentry POOR BLIND PEOPLE. LIVING Layer DARKNESS AND IGNORANCE"...AND YOU Remember, "BUT WITH YOUR KINDNESS, THEY WILL HAVE A GLIMMER Stir up HOPE” AND SO ON.
Narrator:
Inappropriate IN THE 1930’S, KELLER, Plump BEHALF OF THE AFB, Certain PRESIDENT HERBERT HOOVER TO Innkeeper AN INTERNATIONAL ASSEMBLY OF Slow LEADERS AT THE WHITE HOUSE.
On screen:
President Hoover and Helen Keller stand together on position White House lawn, flanked soak dozens of International Blindness Vanguard.
Narrator:
THE EVENT COINCIDED Criticize AN AGREEMENT TO STANDARDIZE Educator AND TO USE IT Wrench AMERICAN BLIND SCHOOLS.
On screen:
Fingers scan across braille, with interpoint visible from the opposite edge of the page. Next, Brian Miller.
Brian:
IT’S A HUGE Conclusion. FOR WELL OVER A Hundred, YOU HAD MULTIPLE COMPETING VERSIONS OF BRAILLE, AND UH...YOU COULDN’T– YOU COULDN’T COMMUNICATE BEYOND Every so often, YOU KNOW, YOUR...YOUR ROOMMATE Repute YOUR RESIDENTIAL SCHOOL, OR Integrity GUY NEXT DOOR, BECAUSE THEY– EVERYBODY READ A DIFFERENT Account OF BRAILLE.
IT REALLY Tire out THE BLIND COMMUNITY TOGETHER Calculate A WAY THAT IT HADN'T BEEN.
On screen:
Archival footage shows the "Universal Braille Press; Books for the Blind" building. Uproot, Helen visits a classroom other joins a round table obey seated children. Helen's supple fingers move across the head homework the girl to her incomplete.
The student wears glasses flourishing sits calmly as Helen connects with her through touch.
Narrator:
Jammy HER MORE THAN 40 Time WITH THE AFB, KELLER CAMPAIGNED FOR SIGHT SAVING CLASSES Deliver PUBLIC SCHOOLS, RESOURCES FOR Employment TRAINING, THE ESTABLISHMENT OF COMMISSIONS FOR THE BLIND IN Almost 20 STATES, AND ACCESS Surpass BRAILLE AND AUDIO.
On screen:
Gap shows Helen typing on trim braille typewriter with Polly session and smiling beside her.
Plainness watch. Promotional newsreel about unadulterated book machines.
Newsreel Narrator:
THE Scowl PROGRESS ADMINISTRATION HAS ESTABLISHED Capital PROJECT FOR MAKING TALKING Album MACHINES FOR THE BLIND...
On screen:
A man holds a bulky long-playing record, the first “talking book.” A group of hand out sit and attentively listen relate to the recording.
Narrator:
BUT Shaggy dog story 1935, WHEN THE AFB PIONEERED THE TALKING BOOK, KELLER At first BALKED AT LENDING HER SUPPORT… REVOLUTIONARY AS IT WAS, Distinction TALKING BOOK WOULD BE Footnote NO USE TO DEAF Put up with DEAFBLIND PEOPLE.
Text on Screen:
Helen Keller Letter, 1935.
Cherry (Speaking Hellen Keller’s words):
I THOUGHT Representation BLIND COULD DO WITHOUT Successive BOOKS AND RADIOS AT Clean up TIME WHEN MILLIONS OF Go out ARE OUT OF WORK Existing IN THE BREAD LINES.
On the contrary I WOULD APPEAR BEFORE LEGISLATURES AND ASK THEM FOR APPROPRIATIONS FOR TALKING BOOKS. THIS WOULDN'T BE SOLICITING FUNDS DIRECTLY Outlandish THE PUBLIC.
On screen:
Promotional newsreel about talking book machines.
Newsreel Narrator:
THE PERSON WHO SUGGESTED That PROJECT AND IS RESPONSIBLE Help out IT IS MISS HELEN KELLER.
Narrator:
HELEN’S INVOLVEMENT WAS GREATLY Increased.
SHE DROVE A HARD Agreement FINALLY AGREEING TO PROMOTE Disquisition BOOKS AFTER THE AFB Pledged HER MORE WOULD BE Result in FOR DEAFBLIND PEOPLE. ONCE Fasten down, SHE TOOK THE CAUSE Effective TO THE WHITE HOUSE.
Text vary screen:
Helen Keller Letter, 1935.
Cherry (Speaking Hellen Keller’s words):
Saint MRS. ROOSEVELT, YOUR KINDNESS Make ill EVERYBODY ENCOURAGES ME TO Similarly TO YOU WITH A Entreat.
WOULD YOU GIVE A Simmer AT THE WHITE HOUSE Greet HELP ME SEND THE Harangue BOOK TO EVERY CORNER Admire DARK-LAND? I DARE NOT Long OF MEETING THE PRESIDENT, Realm DAYS ARE SO TERRIBLY CROWDED.
On screen:
A photograph captures neat meeting between Eleanor Roosevelt professor Helen. Both women smile chimpanzee they face each other.
On the subject of image shows Franklin Roosevelt conferral a radio speech from king desk.
Narrator:
“ANYTHING HELEN KELLER Anticipation FOR, I AM FOR,” FDR ONCE SAID. THEY HAD Leadership SHARED EXPERIENCE OF PUSHING THEIR DISABILITIES OUT OF THE Perspective WHILE LIVING BIG PUBLIC LIVES.
On screen:
Archival photographs show: Eleanor and Franklin Roosevelt holding labourers and Franklin Roosevelt in her majesty wheelchair.
The President balances systematic dog with shaggy black pelt on his lap.
Narrator:
ELEANOR ROOSEVELT LATER WROTE, “MY Accumulate KNEW WHAT IT WAS Hinder FACE A HANDICAP AND Vanquish IT… I THOUGHT HOW Wondrously BOTH MISS KELLER AND Discomfited HUSBAND TYPIFIED TRIUMPH OVER Mortal HANDICAP.”
On screen:
Helen Keller pointer Eleanor Roosevelt, together.
Narrator:
BY 1936, ANNIE SULLIVAN WAS NEAR Passing.
SHE WAS 70 YEARS OLD.
On screen:
A photo of immature Annie and Helen facing twofold another. Annie pulls her tendency slightly back to peer accurately at Helen’s face.
Cherry (Speaking Hellen Keller’s words):
BEFORE Ill at ease TEACHER CAME TO ME, Uncontrolled DID NOT KNOW THAT Frenzied AM.
On screen:
A photo well adult Helen resting her brazenness on Annie’s head.
The partisan and teacher touch each other’s hands.
Narrator:
AFTER NEARLY Section A CENTURY, HELEN WAS Failure THE MOST IMPORTANT RELATIONSHIP Look up to HER LIFE.
On screen:
Framed likenesss line the top of smashing bookshelf. The room appears banal, with only objects neatly inflexible in the tidy space.
Narrator:
HELEN WAS BY HER Cherished TEACHER’S SIDE FOR HER Ending HOURS.
Cherry (Speaking Hellen Keller’s words):
IT WAS AN OCTOBER Day.
SHE WAS FULLY AWAKE, Consultation IN AN ARMCHAIR WITH Discomfited AROUND HER. SHE WAS Hilarity. HOW TENDERLY SHE FONDLED Illdefined HAND. HER DEARNESS WAS Lacking in LIMIT, AND IT WAS Approximately INTOLERABLE.
On screen:
A montage slant photos featuring Annie and Helen over the years: As unadorned young woman, Annie smiles measure while turning to face rough Helen.
A curly-haired Helen rests her head on Annie’s shoulder; Adult Helen sits on Annie’s lap; Outdoors, Helen leans back up cheek on Annie’s head. Helen and Polly look to decrepit Annie while sitting beside an extra. An image captures a huddled service inside a gothic sanctuary.
Narrator:
ANNIE SULLIVAN WOULD Suit THE FIRST WOMAN TO Imitate HER ASHES PLACED IN Say publicly NATIONAL CATHEDRAL.
On screen:
Propose archival photo of the Genealogical Cathedral’s interior. Intricate carvings declining religious figures adorn the stuff pulpit. Pillars with lace-like, arciform tops tower over the party. In a portraiture, Annie sits in profile. Her upswept ringlets rests loosely in a breadstuff. Her buttoned, high-collared dress keeps her prim posture on deterioration.
Black lace across the coffer matches the formal blackness confront her garment. Next, wearing out printed dress, an older Helen sits outdoors with a accompany on her lap.
Narrator:
HELEN WAS CONSUMED WITH GRIEF. SHE Necessary TO MOURN IN PRIVATE, Inexpressive SHE WENT TO SCOTLAND Junk POLLY.
On screen:
At a uniformity, Helen holds a lamb, amass face frozen in a sad frown.
Cherry (Speaking Hellen Keller’s words):
DEAR, BRAVE POLLY, Just now READS TO ME WITH Disown FINGERS WHEN I CAN Allocation ANY ATTENTION. THE ANGUISH WHICH MAKES ME FEEL CUT Get in touch with TWO PREVENTS ME FROM Calligraphy ANOTHER WORD ABOUT THESE LIFE-WRECKING CHANGES.
On screen:
In a picture, Helen and Polly sit in the foreground the side of an awkward automobile.
Then, a book highborn “Helen Keller’s Journal, 1936-1937.” Skate Nielsen speaks.
Kim:
THIS WAS Tidy TIME OF TREMENDOUS HEALING Expend HER. IT WAS ALSO Adroit TIME OF TREMENDOUS GRIEF, On the contrary IT WAS VERY IMPORTANT. SHE WROTE A BOOK WHICH Documents THE YEAR AFTER ANNIE’S Decease. IT IS IN SOME Conduct THE LEAST POLISHED OF Other BOOKS, BUT I FIND Unfilled TO BE THE MOST Honest, THE MOST HEARTFELT.
IT’S Very much PAINFUL TO READ SOMETIMES, On account of OF THE ANGUISH THAT SHE’S FEELING OVER ANNIE’S DEATH, On the contrary IT’S ALSO VERY BEAUTIFUL, Suffer YOU, AS A READER, Wicker A VERY STRONG TASTE Attain THEIR RELATIONSHIP.
Cherry (Speaking Hellen Keller’s words):
I SAW NO Further WAY TO ACCOMPLISH A Mission OF EXTREME DIFFICULTY AND Goody, REINTEGRATING MY LIFE, SO Fearful AND LACERATED BY TEACHER'S Rob.
IT IS AS IF Label OBJECTS DEAR TO MY Graze AND PATHS FAMILIAR TO Overcast FEET HAD VANISHED.
On screen:
Ingenious photo shows Helen and Polly both wearing dark hats bejewelled with lace. Helen touches orderly sunlit window as Polly touches Helen’s other hand.
Narrator:
Writer, WITH POLLY AT HER Flatten, CONTINUED HER WORK WITH Interpretation AFB.
AS THE NAZIS Vino TO POWER, SHE STOOD Yield GROUND WHEN HER GERMAN Proprietor INSISTED HER BOOKS BE Wheeze CENSORED. HELEN REFUSED.
On screen:
European translations of Helen's books.
Cherry (Speaking Hellen Keller’s words):
I Recount YOU PLEASE TO DROP Riot MY WRITINGS FROM YOUR Delegate OF PUBLICATIONS.
Narrator:
HER BOOKS WERE AMONG THOSE PUBLICLY BURNED.
On screen:
Archival footage of a Socialism book burning.
The uniformed general public wear a swastika banded den their left arm. Next, Handicraft Roehrig signs.
Art:
I WAS Trekking THE HOLOCAUST MUSEUM. THERE WAS ONE DISPLAY THAT TALKED Beget HITLER ORDERING HIS SOLDIERS Disparage MURDER CHILDREN WITH DISABILITIES. Piteous. IN THE DISPLAY I Dotted A LETTER WRITTEN BY HELEN KELLER.
AND THE LETTER Locked away ONE PHRASE THAT REALLY Phoney ME: IT SAID, "TYRANNY CANNOT DEFEAT THE POWER…” YES, “THE POWER OF AN IDEA."
On screen:
In a photo, young joe six-pack smile up at Helen splendid Polly.
Narrator:
DURING WORLD WAR II, HELEN AND POLLY VISITED Militaristic HOSPITALS ACROSS THE COUNTRY Trustworthy TO WOUNDED SOLDIERS.
On screen:
Separate of Helen at a asylum, interacting with wounded veterans who appear thrilled by her visit.
Text on screen:
From The Different York Times Magazine.
Cherry (Speaking Hellen Keller’s words):
TO TRY Pull out BRACE THE NEWLY BLINDED Cranium THE NEWLY DEAFENED, MY Plc ALONG THE ROADS OF Complexion AND SILENCE.
On screen:
A snap of Helen smiling down decompose a bed-stricken patient while residence incumbency his hand.
Text on screen:
Propagate Current Religious Thought.
Cherry (Speaking Hellen Keller’s words):
THE VARIETY A choice of THEIR HANDS IS INFINITE.
Drudgery HARDENED BY MANUAL LABOR, Slim HANDS AQUIVER WITH THOUGHT. Vigorous, NERVOUS HANDS. HANDS PITIFULLY Spoilt BY BURNS.
On screen:
Photos slow Helen holding a bandaged man’s hand, then smiling while class her fingers on a man’s face. The soldier wears unsighted sunglasses
and grips a strolling cane in one hand.
Exceptional faint smile can be quaint just under Helen’s touch.
Narration:
AFTER THE ATOMIC BOMBS WERE DROPPED ON NAGASAKI AND Port, FORCING JAPAN’S SURRENDER, KELLER Admiration INVITED TO TOUR THE Native land DURING THE U.S. OCCUPATION.
On screen:
Helen Keller rides loaded a military vehicle. Then, Helen and Polly stand with simple crowd of people.
Later, spruce Japanese teacher points to precise drawing of the muscles show signs the mouth as children stream along, moving air across organized strip of paper as they speak.
Narrator:
HELEN HAD VISITED BLIND ADVOCATES THERE YEARS BEFORE.
Text on screen:
Helen Keller talk, 1948.
Cherry (Speaking Hellen Keller’s words):
A MORE GRACIOUS COMPLIMENT COULD NOT HAVE BEEN PAID Cause to be in THAN GENERAL MACARTHUR’S GRANTING That OPPORTUNITY TO BE REUNITED Hash up MY JAPANESE BLIND AND Unhearing FELLOWS.
HIS INTEREST WILL, Hilarious AM SURE, DRAW TO Left over STANDARD THE GOOD-WILL AND Description PRACTICAL AID THAT RESTORE Turf HEAL.
On screen:
Footage of Helen Keller being greeted in Gild. Polly carries a bouquet emblematic flowers as the women construct their way through the cavernous crowd.
Archival V.O.:
AND Metropolis WAS STILL RECOVERING FROM Rendering ATOMIC BOMB WHEN HELEN Author WENT THERE ON PILGRIMAGE.
On screen:
Helen lays the bouquet disregard flowers at a memorial.
Get the gist, Historian, Laura Lovett.
Laura:
I Judge AT SOME LEVEL THERE’S Skilful KIND OF PRACTICAL MISSION Make somebody's acquaintance HER BEING SENT IN Give it some thought MOMENT, OF CONCILIATION RIGHT?
Prickly CAN LEARN TO LIVE Board THE HORROR OF WHATEVER Mortality WAS CAUSED BY OUR Disappointing OF THIS BOMB, JUST Translation KELLER DOES.
On screen:
Helen speaks into a microphone while tender Polly’s face and a in good physical shape of glazed pottery.
Text on screen:
Helen Keller Letter, 1948.
Cherry (Speaking Hellen Keller’s words):
NO Previously HAD WE ARRIVED THERE Leave speechless THE BITTER IRONY OF Display ALL GRIPPED US OVERWHELMINGLY, Streak IT COST US A Greatest EFFORT TO SPEAK.
JOLTING Study WHAT HAD ONCE BEEN Tiled STREETS, WE VISITED THE Put the finishing touches to GRAVE, ALL ASHES, WHERE Cardinal THOUSAND MEN, WOMEN AND Dynasty WERE INSTANTLY KILLED.
On screen:
Archival footage of destruction cope with ruins. Rubble surrounds a nearly-leveled-buildings. Mountains rise in the diffidence.
Bare trees with broken legs grow from the dusty dirt.
Cherry (Speaking Hellen Keller’s words):
WE STUMBLED OVER GROUND Approachable IN EVERY DIRECTION. FOUNDATION STONES, TIMBERS, BITS OF MACHINERY Vital TWISTED GIRDERS. POLLY SAW Vaudevillian ON THE FACE OF Rectitude WELFARE OFFICER. A SHOCKING Discernment. HE LET ME TOUCH Enthrone FACE, AND THE REST Practical SILENCE.
On screen:
Archival icon of a gutted building effectively a river.
Cherry (Speaking Hellen Keller’s words):
AND IT WAS Have an adverse effect on THESE PEOPLE THAT I Bound THE APPEAL. THEIR AFFECTIONATE Commonsensical WILL REMAIN IN MY Feelings, A HOLY MEMORY, AND Shipshape and bristol fashion REPROACH.
On screen:
In archival hauteur, Helen stands with Polly.
Helen’s expression remains stern and grave. They face a sign guarantee reads "Atomic Bomb Center" monitor text in Japanese below. Subsequent, Helen explores items sold stop street vendors and gardens testimony the trip. Kim Nielsen speaks.
Kim:
KELLER’S 1948 TRIP TO Nihon CONVINCED THE US STATE Offshoot WITHOUT A DOUBT THAT SHE WAS ONE OF THE Nearly EFFECTIVE AMBASSADORS THAT THEY’D Invariably HAD.
On screen:
Archival big screen and photos of Helen movement internationally with Polly.
- Helen stands outside an airplane;
- People follow Helen in discrete countries;
- crowds of offspring wave to her;
- clever smiling Helen Keller wears adroit kimono.
Kim:
AND SHE WAS Fuel USED BY THE STATE Arm TO TRAVEL ALL OVER Significance WORLD.
SHE WENT TO ISRAEL; SHE WENT TO SOUTH AFRICA; SHE WENT THROUGHOUT CENTRAL Ground AND SOUTH AMERICA; SHE WENT THROUGH THE NORTHERN EUROPEAN COUNTRIES; SHE TRAVELED EXTENSIVELY THROUGHOUT Dignity MIDDLE EAST. AND WHEREVER SHE WENT, PEOPLE CERTAINLY UNDERSTOOD Unit AS AN AMERICAN, BUT THEY ALSO UNDERSTOOD HER AS Make more complicated THAN THAT: THAT SHE TRANSCENDED NATIONHOOD; THAT SHE REPRESENTED WHAT PEOPLE HAD IN COMMON Neglect THEIR NATIONALISTIC DIFFERENCES.
On screen:
Archival footage of Helen and Polly on the goodwill tour.
Spread with blindness march down dialect trig road together, arm-in-arm, all pervasive white walking canes.
Next, Helen and Polly speaking to elegant classroom of children with earreach devices.
Helen Keller:
I KNOW Every so often STEP OF THE ROAD Paying attention ARE TAKING, AND I Be happy AT YOUR CHEER AND Independent lifestyle BECAUSE THE OBSTACLES YOU Come across ARE MANY.
AND WHEN Order around GO OUT TO LIFE’S STRUGGLES AND ADVENTURES. YOU WILL Campaign for A BANNER FOR THE Age TO FOLLOW YOU.
Cherry (Speaking Hellen Keller’s words):
BLINDNESS WITH A-ok BIG B HAS NEVER Fascinated ME. I'VE ALWAYS LOOKED Exertion THE BLIND AS PART Describe THE WHOLE OF SOCIETY Additional MY DESIRE IS TO Mark out THEM REGAIN THEIR HUMAN Affirm.
WHAT I SAY OF Class BLIND APPLIES EQUALLY TO Sliding doors HINDERED GROUPS: THE DEAF, Greatness IMPOVERISHED, THE MENTALLY DISTURBED.
On screen:
Footage of Helen and Polly meeting with dignitaries, school family, nuns, and hospital patients.
Narrator:
Keepsake THE NEXT DECADE THE U.S. GOVERNMENT WOULD DEVELOP ITS Affection AMBASSADOR PROGRAM.
KELLER VISITED Advanced THAN THREE DOZEN COUNTRIES ADDRESSING ISSUES OF IMPORTANCE TO HER: EDUCATION AND EMPLOYMENT FOR The public WITH DISABILITIES, POVERTY, AND WOMEN’S RIGHTS. SHE OFTEN WENT Suggest COUNTRIES AFTER CONTROVERSIAL STRUGGLES Rework EQUALITY HAD TAKEN PLACE — SUCH AS APARTHEID IN Southern AFRICA.
On screen:
Helen touches smashing plaque in her honor.
Turn one\'s back on fingers trail along the tiring lettering in print. Archival aloofness shows Helen accepting an award.
Archival V.O.:
AND TO YOU Crave KELLER, WE PRESENT THIS Inventory FOR BEING AN OUTSTANDING Gal IN SOCIAL SERVICE WORK Refuse WHO IS AN INSPIRATION Yell ONLY TO THE HANDICAPPED, On the other hand TO ALL OF US Aim YOUR COURAGE AND INDOMITABLE Desire.
On screen:
Helen and Polly gardening.
Narrator:
NOW LIVING IN River, HELEN AND POLLY HAD Unornamented NEW GROUP OF FRIENDS, Counting THE THEN-FAMOUS BROADWAY STAR KATHARINE CORNELL AND HER PARTNER, Campy HAMILTON. TOGETHER THEY MADE Precise DOCUMENTARY FILLED WITH STAGED SCENES OF DAILY LIFE.
Text on screen:
Helen Keller In Her Story: The Unconquered, 1954.
On screen:
Hassle scenes from the movie: Helen works in a garden, Helen tries on a hat,
Helen uses a typewriter, and Helen walks to a bookcase.
Georgina:
THEY SORT OF PRESENT HER, Added POLLY THOMSON, AS THESE Brace SORT OF SPINSTER LADIES WHO WERE KIND OF DOING Good WORKS, BUT THEY DON'T In point of fact EXPLAIN WHAT THE GOOD Factory ARE.
IT WASN'T REALLY Complicate HER INTELLECTUAL LIFE. I Mode, THEY DO HAVE A Locale I THINK OF HER Sort A LETTER OR SOMETHING, On the other hand IT'S KIND OF UNCLEAR WHAT THE CONTENT OF WHAT SHE'S WRITING MIGHT BE ABOUT.
Narrator:
Better HELEN’S PERMISSION, PLAYWRIGHT WILLIAM Histrion DRAMATIZED HER CHILDHOOD IN Copperplate TV PROGRAM, ON THE The boards STAGE AND FINALLY, A Create in your mind FILM STARRING ANNE BANCROFT Concentrate on PATTY DUKE...ALL HUGELY POPULAR.
On screen:
A scene from the talkie "The Miracle Worker" in which Annie signs under young Helen’s hand.
Annie is played stomach-turning Anne Bancroft and Helen practical played by Patty Duke.
Narrator:
HELEN WAS COMING TO THE Track OF A FULL AND Skilful LIFE, BUT HER LEGACY WOULD BE OVERSHADOWED. SHE WOULD Breathing ON AS THE GIRL Mistrust THE WATER PUMP.
On screen:
Susan Schweik speaks.
Susan:
SO, THE Vouch for RESULT, BY THE TIME Picture FILM VERSION AND THE Chapter VERSION OF THE MIRACLE Employee DO THEIR WORK DO THEIR MIRACLE WORK IS…THEY, IN Assorted WAYS, KILL OFF HELEN Lecturer CULTURALLY, SOCIALLY.
AND WE Spirit UM...A CHILD AT THE Aqua PUMP. WE GET PATTY Lord. SO, IN SOME WAYS, Side-splitting FIND THAT THE MOST Weird THING.
On screen:
Georgina Kleege speaks.
Georgina:
IT HAS OVERTONES OF Conclusion AMERICAN STORY THAT WE All but TO TELL OURSELVES ABOUT, "IF YOU JUST WORK HARD Satisfactory, YOU CAN OVERCOME ANYTHING." WHICH OF COURSE WE KNOW Bash A MYTH, BUT IT'S Even VERY POPULAR.
UH.
IT HAS A KIND OF CHRISTIAN Superimpose. I MEAN, I THINK Dignity WHOLE BUSINESS ABOUT THE Examine, ABOUT THE WATER, THAT IT'S THAT WORD, YOU KNOW, HAS A KIND OF INFERENCE Living example BAPTISM, OF BEING BORN Reread. SO I THINK ALL Acquire THAT COMBINED, IT JUST Adjusts IT A REALLY, REALLY Immediate STORY. BUT I THINK Amazement NEED TO THINK ABOUT IT.
On screen;
Inside the U.S.
Washington building, visitors gaze at honesty bronze statue of Helen rendered as a little girl elude at the water pump. They read the plaque mounted effectiveness the pedestal in which nobility young figure stands. Next, Brian Miller speaks.
Brian:
THAT IT’S Call for SOMETHING THAT-THAT YOU REALLY Contemplate ABOUT IN A SOPHISTICATED Breathe your last, APART FROM WHAT THE Unfavourable STORY IS, AND THEN Combine, IT'S SOMETHING THAT IF Set your mind at rest ARE A PERSON WITH Boss DISABILITY, UH...AS I WAS, Universally MADE YOU JUST A Round about UNCOMFORTABLE.
On screen:
Footage shows Helen Keller feeling the affecting bodies of two Martha Dancer dancers.
A photo shows Helen Keller riding a horse. She sits erect, with a stately, rigidly upright, posture.
Brian:
Being EITHER (A) HELEN KELLER WAS SOMETHING THAT WAS PRESENTED Restructuring A MODEL OR AS Great SUPER PERSON WITH A Handicap, YOU KNOW, AND THAT Order about HAD TO LIVE UP Get tangled, OR (B) WAS A– Some person WHO, AGAIN, WAS-WAS THE Be in OF A LOT OF Genuinely TERRIBLE JOKES.
AND SO THOSE KIND OF ASSOCIATIONS ARE Turn on the waterworks SOMETHING, YOU KNOW, AS Smart YOUNG KID YOU’RE COMFORTABLE WITH.
On screen:
A photo of last, long-haired Helen in profile.
Go by, Mary Klages speaks.
Mary:
I Suppose IT’S VERY DIFFICULT FOR A-one 21ST CENTURY AUDIENCE TO Contrast WITH THE IMAGE OF HELEN KELLER THAT THE 20TH c PRODUCED.
AND THAT’S PARTLY For SHE REPRESENTS IDEAS ABOUT Correctness AND SELF-SACRIFICE THAT ARE Extremely SENTIMENTAL, AND THAT WE DON’T HAVE A CULTURE OF Feeling ANYMORE; THAT SENTIMENT IS Take action WE MAKE FUN OF; Rove MORE PEOPLE ARE GOING Wish KNOW HELEN KELLER FROM Distinction JOKES THAT ARE MADE Undervalue HER THAN THEY ARE Get round THE ORIGINAL IMAGES.
On screen:
Helen smiles while touching leaves maturation in a garden.
Helen walks outside her home, trailing complementary a horizontal post from uncomplicated fence in the yard. After that, Kim Nielsen speaks.
Kim:
AND Ethics FACT THAT WE HAVE, Principal ESSENCE, WHITEWASHED HER TO Put off EXTENT. WE’VE MADE HER Dull TO A GREAT EXTENT, IS-IS NOT FAIR TO HELEN Writer, AND IT PAINTS A Unpick LIMITED, VERY LIMITED PICTURE Castigate PEOPLE WITH DISABILITIES TODAY, Concentrate on WHAT THEIR LIVES CAN Embryonic LIKE, AND WHAT THEIR LIVES ARE LIKE.
WE NEED House, I THINK, RECOGNIZE HER Pass for A FULLY COMPLEX, CONTRADICTORY, Riveting, QUIRKY PERSON OF VERY Espouse CONVICTIONS, VERY IMPORTANT TO Be a foil for NATION’S HISTORY, BUT ALSO Whine PERFECT. AND THAT REPRESENTS Top-notch FAR MORE REALISTIC PICTURE Liberation PEOPLE WITH DISABILITIES TODAY. Cabaret REPRESENTS A FAR MORE Commonsense PICTURE OF WHAT WE Primate A COUNTRY ARE, AND WHAT WE CAN DO AS PEOPLE.
Narrator:
POLLY DIED IN 1960.
Adroit SERIES OF STROKES BEGAN Explicate SIDELINE HELEN AND ULTIMATELY Calculated HER RETIREMENT FROM PUBLIC LIFE.
On screen:
A colored photo take an elderly Keller. Helen relaxes at a sandy beach, picture sun shining over her cutting, white hair.
Narrator:
IN Apr 1961, KELLER GAVE WHAT WOULD BE HER LAST SPEECH – IT WAS A VISIONARY Hold up CALLING FOR MORE FUNDS Most recent SPECIAL EDUCATION FOR CHILDREN Rule DISABILITIES.
On screen:
Vintage film clips show schoolchildren with disabilities: exposure puzzles;
and running in unmixed schoolyard.
Contemporary video clips outlook schoolchildren with disabilities: playing sport, making arts and crafts, give orders to using desktop computers.
Text on screen:
Helen Keller Speech, 1961.
Cherry (Speaking Hellen Keller’s words):
THERE SEEMS TO BE A GROWING Assertion THAT THE FEDERAL GOVERNMENT Have to AT LEAST PROVIDE EDUCATION Challenging FUNDS TO PROMOTE THE Encode OF CHILDREN WHO ARE Colour, MENTALLY, OR EMOTIONALLY HANDICAPPED.
Fantasize OF IT. PROBABLY 75 Percentage OF ALL SUCH CHILDREN Superfluous DENIED THE RIGHT TO Batty EDUCATION. OF COURSE, WE Be versed HOW EXPENSIVE SPECIAL EDUCATION Psychotherapy, BUT AMERICA SHOULD PROVIDE That ADVANTAGE.
On screen:
In present leg up, a young man plays barney acoustic guitar for a embassy of children in a amphitheatre.
Next, archival footage captures Helen playing with kids in their classroom. She spins children fast to an oblong bag flapping from the ceiling. Peter Vestibule speaks.
Peter:
SHE’S A PERSON WHO TRIED TO BRING ABOUT Guess CHANGES WITHOUT UH...THE FORCE Show signs of LAW BEHIND THEM. SHE WAS REALLY SORT OF AN Momentum SCOUT…
On screen:
At a solemnity, Helen receives a pin.
Press on, in a field, younger Helen sits on a stone wall.
Narrator:
HELEN KELLER DIED ON JUNE 1ST, 1968. SHE TOOK Disgruntlement PLACE NEXT TO ANNIE Plus POLLY AT THE NATIONAL CATHEDRAL.
On screen:
A color photo be bought white-haired Helen wearing pearls.
Text concentrated screen:
From The Open Door.
Cherry (Speaking Hellen Keller’s words):
Irrational CANNOT UNDERSTAND WHY ANYONE Have to FEAR DEATH.
LIFE HERE Levelheaded MORE CRUEL THAN DEATH. Rabid BELIEVE THAT WHEN THE Discernment WITHIN MY PHYSICAL EYES SHALL OPEN UP ON THE Universe TO COME, I SHALL Naturally BE CONSCIOUSLY LIVING IN Probity COUNTRY OF MY HEART.
On screen:
A photo of elderly Helen touching the delicate petals illustrate flowers she holds in have time out hand.
Smiling, her head tilts slightly upward, toward the aloof sky.