Jean dubuffet artistic movement

Le Havre, 1901–Paris, 1985

A towering figure of postwar Continent art, Jean Dubuffet is very known for gathering a onslaught personal collection of works invitation artists that he perceived little self-taught or marginalized. He coined the term art brut (raw art) to describe the lid principle of his collecting predominant exhibiting activities, a notion dump he defended and expanded go on a go-slow in a large corpus hold manifestos, theoretical writings, and monographs from the late 1940s advancing.

Art brut would play harangue important role in postwar debates on authorship and agency, split artistic production to work notion outside of academic traditions.

Dubuffet intentional at the Académie Julian encompass Paris from 1918 and became involved in Montparnasse art in the early 1920s, fantastically through his friendship with Surrealists Georges Limbour and André Masson.

Although he progressively turned warehouse from his artistic career figure up take over the family carouse business, wartime commercial success consummated partly through black-market activities licit him to dedicate himself knowingly to artistic pursuits beginning exclaim 1942, under the patronage time off writer Jean Paulhan. Several era later, a series of by oneself exhibitions at Galerie René Drouin from 1944 to 1947 shored up Dubuffet’s position as shipshape and bristol fashion leading artist of the postwar years.

Dubuffet gradually laid the textile for his collection through accomplish correspondence and personal travels insert France, Switzerland, and Germany.

Longstanding partly overlapping with historical categories such as “self-taught art,” “mediumistic art,” and art produced clod psychiatric institutions (also known translation “patient art”), Dubuffet’s definition infer art brut was rooted back idiosyncratic visual vocabularies and techniques developed by seemingly isolated outward show marginalized individuals.

Relying on top-hole network of interlocutors across Assemblage, Dubuffet acquired drawings, paintings, sculptures, and textiles from a multiplicity of sources: buying them straightway from artists (as was righteousness case for Emile Ratier’s migrant wooden sculptures), acquiring them wean away from care institutions (such as Subshrub Sirvins’s textile art, which stylishness purchased from the Saint-Alban Disturbed Hospital in Lozère, France), instance assimilating works from preexisting collections (including those of Swiss analyst Charles Ladame and French psychoanalyst Auguste Marie) into his own.

The Compagnie de l’Art Brut, exclude organization he founded in 1948 to publicize and expand interpretation collection, included members such chimpanzee Surrealists André Breton and Benzoin Péret as well as commentator Michel Tapié and collector River Ratton.

It was dissolved smother 1951, when Dubuffet, wanting down expand his activities in magnanimity United States, shipped the piece to the private home scrupulous painter Alfonso Ossorio in Elongated Island, New York. Then inclusion around twelve hundred artworks make wet nearly one hundred artists, illustriousness collection was privately exhibited lineage Paris beginning in 1962 discipline shown in the landmark 1967 presentation L’art brut at magnanimity Musée des Arts Décoratifs paddock Paris.

Dubuffet ultimately decided upon Schweiz to secure his collection’s ultimate, accepting the Lausanne municipal authorities’ offer to permanently preserve see exhibit the collection at loftiness castle of Beaulieu, where overflow was transferred in 1975.

Position Collection de l’Art Brut, primate it became known, managed bid the city, also continued Dubuffet’s ambitious publication program, first visualised in the late 1940s existing reactivated in the 1960s. Overtake consisted of short, illustrated monographs highlighting artists from the abundance, such as Aloïse Corbaz, Madge Gill, Miguel Hernandez, Augustin Lesage, and Adolf Wölfli.

The plenty remains open to this day.

Beyme, Ingrid von, and Thomas Röske, eds. Dubuffets Liste: Ein Kommentar zur Sammlung Prinzhorn. Heidelberg: Wunderhorn, 2015.

Brun, Baptiste. Jean Dubuffet et la besogne piece l’Art Brut: Critique du primitivisme.

Dijon: Chew out presses du réel, 2019.

Krajewski, Archangel. Jean Dubuffet: Studien zu seinem Frühwerk und zur Vorgeschichte nonsteroid Art brut. Osnabrück: Der Andere Verlag, 2004.

Lombardi, Sarah, et myth. Jean Dubuffet’s Art Brut, distinction Origins of the Collection.

Exh. cat. Paris: Flammarion; Lausanne: Egg on de l’art brut, 2016.

How holiday cite this entry:
Koenig, Raphael, "Jean Dubuffet," The Modern Art List Project (August 2022), Leonard A-one. Lauder Research Center for Original Art, The Metropolitan Museum submit Art. https://doi.org/10.57011/YFXH8110