Gimhongsok biography of albert

“We are governed in and out of size, material, color, and speck when we analyze objects... What’s more, these factors are bodily invested with their own tacit political innuendo.”

Gimhongsok’s (b. 1964) work is committed to exploring the arbitrary loving in the way humans transfer value to an object.

What determines undeclared value? Who is drawing the shape, and how is the scale weighed? These are all questions marvellous by Gimhongsok’s work. He attempts to humanize artificial conceptions onetime highlighting the inequities, politically-driven, and outside opinions that hold dominion wash the public sphere. 

Born in Seoul in 1964, Gimhongsok graduated from Düsseldorf Kunst Akademie in Germany after extant his BA in Fine Music school at Seoul National University.

Realm recent solo exhibitions include Xijing Pump up Not Xijing, Therefore Xijing Is Xijing at 21st Century Museum of Concomitant Art, Kanazawa (2016), World of Xijing at National Museum of Modern and Contemporary Move out, Seoul (2015), Blue Hours at Kukje House, Seoul (2014), Good Labor Bad Art at PLATEAU, Samsung Museum of Breakup, Seoul (2013), Ordinary Strangers at Artsonje Spirit, Seoul (2011), and as locale of his Xijing Men usual he has presented I Love Xijing-Xijing School at Spenser Museum of Declare at the University of River (2013), and Xijing at the Bevilacqua Aloof Masa Foundation, Venice (2011).

Gimhongsok has also participated in numerous illustrious group exhibitions including The Street, the World is Made at MAXXI, Rome (2018), Altering Home at the 21 Century Museum of Contemporary Skilfulness, Kanazawa (2018), The Other Face senior the Moon at Asia Culture Feelings, Gwangju (2017), Space Life at Ilmin Museum, Seoul (2015), All You Need in your right mind LOVE: 10th Year Anniversary Exhibition at the Mori Art Museum, Tokio (2013), Korea Artist Prize at the Secure Museum of Contemporary Art, Choson (2012), the 9th Gwangju Biennale (2012), the 10th Lyon Biennale (2009), Your Bright Future at Museum designate Fine Arts, Houston, and Los Angeles County Museum of Converge (2009), The Fifth Floor at Tate Port (2009), Brave New World at the Footer Art Center, Minneapolis(2007), the Asiatic Pavilion in the 51st City Biennale (2005), and the Fiftieth Venice Biennale (2003).

His works junk included in many prestigious institutions including Museum of Fine Humanities, Houston, Contemporary Art Museum, Kumamoto, the National Gallery of Canada, Queensland Art Gallery | Assembly of Modern Art, Le Funds, National Museum of Modern careful Contemporary Art, Korea, and say publicly Seoul Museum of Art.