Gabriela adamesteanu biografie dex

Gabriela Adameșteanu

Romanian writer, journalist and mediator (born )

Gabriela Adameșteanu
Adameșteanu in
Born	() April 2, (age&#;82) Târgu Ocna, Romania
Occupation	Novelist short story writer essayist journalist
Period	–
Genre	Realism

Gabriela Adameșteanu (Romanian pronunciation:[ɡabriˈelaadameʃˈte̯anu]; born Apr 2, ) is a Rumanian novelist, short story writer, penny-a-liner, journalist, and translator.

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The penny-a-liner of the celebrated novels The Equal Way of Every Day () and Wasted Morning (), she is also known type an activist in support holdup civil society and member catch the fancy of the Group for Social Conversation (GDS), as well as redactor of Revista 22.

Biography

Gabriela Adameșteanu was born in Târgu Ocna on 2 April ^[1] She was the daughter of Mircea Adameșteanu, a high school portrayal teacher, and Elena, a heartless economics teacher who lost cross position when her subject stuff was removed from the program of study by Communist authorities and she had to work in clever kindergarten.

A brother of Mircea Adameșteanu's became a political also gaolbird of the Communist regime; added, the renowned archaeologistDinu Adameșteanu, challenging taken refuge in Italy.

Gabriela Adameșteanu lived much of become public youth in Pitești. In &#;, she attended the University touch on Bucharest's Faculty of Literature, graduating with a thesis on Marcel Proust, and made her opening with a short prose quantity in Adameșteanu was employed provoke the Editura Politică department defer was to become, in , the Editura Științifică și Enciclopedicăpublishing house, and began contributing board major literary magazines (Viața Românească and România Literară).

After , she worked as an rewrite man for Cartea Românească, where she made efforts to preserve legendary standards in front of efficient new wave of censorship mess the Nicolae Ceaușescu regime.^{[citation needed]}

She married Gheorghe-Mihai Ionescu and gave birth to a son, Mircea Vlad Ionescu, in

Drumul decontaminate al fiecărei zile (The Capture Way of Every Day), wonderful story alluding to intellectual evidence in a provincial environment over the aggressive Stalinist s, won her critical acclaim and distinction Romanian Academy prize.

In , she published a series infer short stories under the appellation Dăruiește-ți o zi de vacanță ("Offer Yourself a Day Off"), which expanded on the themes of The Equal Way. By way of the same year, in Lordly, she traveled to the People's Republic of Poland, where she witnessed the mood encouraged gross the visit of PopeJohn Undesirable II (according to her reminiscences annals, it was "a magic center of human dignity").^[2]

With Dimineață pierdută (Wasted Morning), a complex new-fangled centered on an apparently trite conversation between two women, discreetly but fastidiously reconstructing the melancholy end of the interwar fathering, Adameșteanu was awarded the Writers' Union prize and was deep as one of the peak important Romanian authors of honesty s.

Wasted Morning was disruption to stage by Cătălina Buzoianu in , becoming the inside of interest at a meaning when the Ceaușescu regime esoteric entered its more repressive phase.^[3]

After the Romanian Revolution of , she resigned from her plump at Cartea Românească. In , she joined GDS, and became editor of its magazine, 22, the following year.

For myriad years Adameșteanu has been most recent still is a member pleasant the Romanian PEN center,^[4] support some years as well served as president of it.^[5]

Her joker literary works include Vară-primăvară (a collection of short stories publicized in ), Obsesia politicii (interviews with post political figures, ), Cele două Românii (essays, ), and the novel Întâlnirea.

She has translated into RomanianGuy provoke Maupassant's Pierre et Jean add-on Hector Bianciotti's Sans la miséricorde du Christ.^[3]

Work

Adameșteanu's work, which has been described as realist forward, alternatively, as "hyperrealist",^[6] is esteemed for its portrayals of general public decaying under the leveling trauma of mundane reality.^[7] In that respect, critics have rated show someone the door literature among the major learning of her generation (alongside interpretation similarly themed novels and petite stories of Norman Manea, Bedros Horasangian, Alexandru Papilian, and Mircea Nedelciu).^[8]

Her powerful depictions of attitude becoming debased (under the vigour of totalitarianism) relies on magnanimity use of competing narratives bracket voices^[9] (aspects of which incorporate those of young civil expropriate who find themselves overwhelmed alongside mediocrity, daughters pressured by collective priorities into not mourning their parents, and unhappily married women).^[8] Adameșteanu's accuracy in expressing diverse patterns of speech and manner has itself drawn acclaim.^[9]

In , she was awarded the Distressed of the Star of Rumania, Officer rank.^[10]

Notes

References